Guy Moshe

Disillusioned by the end of the war in Afghanistan, a group of disgraced, war-torn ex-CIA operatives set out to Tehran to take down a life-changing score.

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In the near future, the sun has become so toxic people can no longer leave their houses in daytime, and normal life is conducted mostly inside the virtual realm. Against this dystopian backdrop, a dying man seeks to ensure the future well-being of his family, while coping with what it means to be human in this new reality.

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In a world with no guns, a mysterious drifter, a bartender and a young samurai plot revenge against a ruthless leader and his army of thugs, headed by nine diverse and deadly assassins.

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Shot on location in Cambodia, including many scenes in actual brothels in the notorious red light district of Phnom Penh, HOLLY is a captivating, touching and emotional experience. Patrick, an American card shark and dealer of stolen artifacts, has been 'comfortably numb' in Cambodia for years, when he encounters Holly, a 12-year-old Vietnamese girl, in the K11 red light village. The girl has been sold by her impoverished family and smuggled across the border to work as a prostitute.

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Shot in the back and left for dead, Jack, former top dog of a mercenary unit, returns to his old base in Odessa to right past wrongs and reunite with the woman he loves. But this second coming spirals ever more violently.

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Disillusioned by the end of the war in Afghanistan, a group of disgraced, war-torn ex-CIA operatives set out to Tehran to take down a life-changing score.

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Released from prison with terminal cancer, Max tries to reconnect with his estranged daughter and the grandson he’s never known. When his daughter’s abusive, drug-addicted ex-husband reappears, Max’s violent past comes back to haunt them all.

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In the near future, the sun has become so toxic people can no longer leave their houses in daytime, and normal life is conducted mostly inside the virtual realm. Against this dystopian backdrop, a dying man seeks to ensure the future well-being of his family, while coping with what it means to be human in this new reality.

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THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.

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A mother and her son plan a surprise visit to Los Angeles to see her husband/his father. Halfway there they get into a terrible accident in the middle of nowhere and now must fight to survive.

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