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Ten-year-old Lutz Paschke, son of detective captain Paschke, is an enthusiastic but often overzealous detective. He roams his town with his basset hound Pinkus and thinks he can spot crimes in mostly harmless incidents. Every now and then, his father is called by him to a supposed crime, so Lutz thinks he has seen a murder, which turns out to be a clumsy attempt to kill a carp. Father Paschke is annoyed, especially as Lutz's actions repeatedly put him in embarrassing situations. So when Lutz receives an anonymous letter with cut-out letters announcing a crime at the old mill on Friday evening, he doesn't tell his father.

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A Jewish ghetto in the east of Europe, 1944. By coincidence, Jakob Heym eavesdrops on a German radio broadcast announcing the Soviet Army is making slow by steady progress towards central Europe. In order to keep his companion in misfortune, Mischa, from risking his life for a few potatoes, he tells him what he heard and announces that he is in possession of a radio - in the ghetto a crime punishable by death. It doesn't take long for word of Jakob's secret to spread - suddenly, there is new hope and something to live for - and so Jakob finds himself in the uncomforting position of having to come up with more and more stories.

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The film describes the activity of an ABV of the People's Police in its section in East Berlin. A mixture of “positive” characters from the beginning, the extensively staged “owl”, who is introduced as a criminal and over the course of time, especially due to the influence of the ABV, develops into a good citizen, and incorrigible characters, with whom the ABV fails with its extensive attempts at rehabilitation and who are arrested after having committed again offenses.

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At the textile company, everyone appreciates the work of 18-year-old Susanne, but nobody really considers her a woman—including Lutz, with whom she is in love. She sets about to make a change, but it is only when she realizes that she is being taken advantage of that a more self-confident Susanne emerges.

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Early 1921: a man is on his way home. Gleb Chumalov, regimental commander, worker and Hero of the Order of the Red Banner, returns to his home town from the Civil War. The victory over the enemies of the Russian people gives him the conviction that a new, better time will dawn overnight. Gleb looks for his comrades from earlier years, but only finds people who are emaciated by their efforts. The cement works where he used to work has been plundered and abandoned. With great effort, Gleb and his comrades try to get the plant up and running again. The struggle seems to begin anew... It is the time after the victory of the “Great October Socialist Revolution“ and the time of building a new society.

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Friedrich Wilhelm Georg Platow worked for the railways his entire working life. He took up service at the small station of Luege 34 years ago. Now, the line is to be electrified and Platow, who cannot cope with the new technology, has to work on a secondary local line. Georg, his son, a railway worker as well, is to attend a training course, but Georg refuses to go. Then his father comes to a surprising and highly unusual decision. He pretends to be Georg Platow, making himself twenty years younger than he really is and registers for the course.

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At the beginning of the 19th century, white settlers regularly make and break treaties with the Native American inhabitants to gain possession of vast hunting grounds at ludicrously low prices without any bloodshed. Harrison, Governor of Indiana, has made and broke no less than fifteen such treaties, driving increasing numbers of Indians out to the infertile West. To put a stop to this criminal practice, the Shawnee Chief Tecumseh tries to unite the Native Americans.

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Using the example of three generations of a Hamburg working class family, the rise of the working class from the founding of the Wilhelmin Empire to the First World War, over the time of the Weimar Republic and National Socialism to the destruction of the Third Reich.

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Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

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East German TV miniseries about the young maid Gertrud Habersaat, who marries, moves from Mecklenburg to Poland in the early 1940s, has to come back to Mecklenburg as a refugee during World War II and finally finds her place during the 1950s.

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Russian soldier Grisha escapes from a German prisoner-of-war camp in the spring of 1917. He is caught and is to be shot as a spy. This decision is controversial. The dispute continues. Grisha is executed on the orders of the army high command.

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Russian soldier Grisha escapes from a German prisoner-of-war camp in the spring of 1917. He is caught and is to be shot as a spy. This decision is controversial. The dispute continues. Grisha is executed on the orders of the army high command.

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Based on the novel of the same name by Harry Turk. 1944. In occupied Poland, a railway line is being built to transport lead ore to Germany. The Valley of Seven Moons is restless, with construction materials disappearing and people vanishing. The occupiers feel uneasy on foreign soil. Despite increased security, partisans carry out one act of sabotage after another, hindering construction in every way possible. The German Rudek and the Jewish girl Martina, who at first stand aside from any struggle, join the partisan detachment.

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A wild story set in eighteenth-century Prussia. Alexander can do everything that a real devil of a fellow must be able to do: ride, shoot, love and devise clever plots. As a result, he is able to climb the ladder from herder to chamber master, where he makes a fool of the feudal lords.

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The emaciated weavers deliver their homework to the factory owner Dreißiger and receive their wages, on which they cannot live and cannot die. Driven by hunger, they ask for more money, but to no avail. Only the young baker and the reservist Jäger put up a fight, and both manage to encourage a large group of weavers to revolt against the factory owner. They break into his house and destroy it, whereupon he flees. The revolt continues, the weavers move through the surrounding villages, where more people join them. A little later, the military arrives to intervene against the angry crowd and restore the old order...

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It is a fateful moment: during one of his concerts, Jewish pianist Klaus Seiser discovers Gestapo officer Dr. Becker in the audience. He had imprisoned and harassed the young Seiser in 1943 because of a leaflet. Although the musician had managed to escape from prison at the time, he was caught at the Swiss border and Becker had him sent to Dachau concentration camp. Now, years after the end of the Nazi regime, Seiser denounces the Gestapo man and hopes for justice.

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This first film adaptation of Bertolt Brecht’s play about class distinctions was made in 1955 in the Vienna Rosenhügel studios, but it was only premiered five years later. Curt Bois plays the rich capitalist Puntila who only becomes somewhat agreeable when he is drunk (which he is most of the time in this film). In his inebriated state, Puntila not only gets amorously involved with three different ladies but also suggests that his daughter Eva marries his chauffeur Matti. The chauffeur, however, doesn’t really agree…

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