Manuel Noriega

Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him to share his turkey, but he refuses all except Death. In return, Death gives him a bottle of water which will heal any illness. Soon, Macario is more wealthy than the village doctor, which draws the attention of the feared Inquisition.

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A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.

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Through hard work, the Spaniard Alejandro has become wealthy and powerful. In contrast, the banker Don Victorino—who once refused a loan to the then-poor Alejandro—has fallen on difficult times. Victorino is married to Ana, who spends her life playing the piano, and they are the parents of the proud Julia, who is engaged to Enrique Régules. Julia is forced to marry Alejandro in order to save her family’s financial situation. Despite her husband’s blunt and often harsh honesty, Julia gradually finds herself falling in love with him, and vainly tries to make him jealous with Licenciado Héctor, who courts her. Julia becomes nervously ill, troubled by the fact that Alejandro does not love her in the romantic, storybook way she longs for.

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For the centenary of Cuban patriot Jose Marti, the 1950s pre-Castro dictator Batista collected funds for an official film commemoration and hired renowned director Fernandez from Mexico to erect this memorial work.

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In a small Mexican village the news shock neighbors, Ricardo Alfaro, a wealthy local rancher has disappeared without a trace. Taking advantage of the circumstance, Aurora Campos, a strong woman with overwhelming beauty, convinces the authorities to sell her the property in exchange for twelve thousand dollars. Soon after, when Ricardo suddenly reappears, a real battle is about to begin.

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Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!

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Reporters compete for cash prize awarded for biggest scoop on New Year's Eve.

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Jorge Bueno and Pedro Malo are best friends who consider giving up their womanizing ways when they each fall in love. As fate would have it, Pedro Malo unexpectedly marries Jorge Bueno's girlfriend, and the conflict between the former buddies begins.

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Newlywed Oliverio receives disturbing news that his mother is on her deathbed. He travels to a remote part of Mexico to fetch a lawyer who can sort out her will. Leaving his wife behind, he embarks on a bus ride that’s interrupted by an increasingly absurd series of episodes, including an impromptu birthday celebration; a one-legged man writhing in the mud; come-ons from an insatiable small-town belle, Raquel; and Oliverio’s frequent, Freudian nightmares.

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Ruined alcoholic doctor escapes a tropical plague and begins a new life back in civilization, taking over the identity of a dead man.

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Traveling salesman meets a young woman who's running away from home, and helps her evade detectives who are tracking her.

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This musical comedy tells the story of two men whose friendship (whose beginning is told in "A toda máquina") is affected by assumptions love triangles and misunderstandings between the two, however, the value of that friendship overcomes all difficulties.

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Three children forge a close friendship with the help of a gentle elderly woman, Doña Dominga. They survive poverty and social exclusion; however, fate has a cruel twist in store for little Toño.

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Irresponsible playboy-type needs to cut down on his nightclubbing and his expensive women-friends and buckle down to his Uni studies. Meanwhile, his godfather...

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Rosa, a working-class young woman, falls in love with the physician Armando de la Vega. After they spend a night together, she discovers that she is pregnant. Armando, however, marries another woman, and the couple leaves for Paris, where he remains for several years. Upon his return, disillusioned with his marriage, he meets the famous cabaret star Alma Rosa, not realizing that she is Rosa, now performing under a stage name.

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Luis el Roto is a laborer who, due to a lack of money, cannot marry his girlfriend Rosa; they live in a poor alleyway with their respective mothers. Luis is loved by the prostitute Carlota, and for this reason he despises the pimp Rodolfo, who beats Luis in the public restrooms. Tragedy looms over Luis.

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Twin brothers separated at birth accidentally meet each other 25 years later. Girlfriends and coworkers are confounded, wacky hijinks!

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A slapstick fantasy of the amorous adventures of a magician a la Cantinflas.

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In Michoacan in the 1920s, Gabriel, a young farmer and champion cockfighter, finds himself in violent opposition to Roman, who not only wants to beat Gabriel's fighting cock, but to steal Gabriel's wife Rosa.

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Cantinflas is the apprentice of a renowned scientist, Prof. Arquimides Monteagudo (Carlos Martinez Baena). But Cantinflas has the soul of a poet rather than a serious researcher, and he wants to find the formula that achieves the immortality of the roses. Nevertheless, after the death of Prof. Monteagudo, Cantinflas will be chased by a ferocious corporative group, who wants to steal the secret formula of a cheaper fuel named "carburex", because they think that our friend is the only person who knows the composition

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A Mexican family drama.

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In this Mexican version of Winterset (inspired by the 20s Sacco Vanzetti case) an idealistic youth searches for the culprit behind a crime that his father was wrongly accused of several years before.

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A high priest tries to force a young beauty to marry a pearl trader who is masquerading as the god Balu.

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Two sisters fall in love with the same man while one of them suffers from an incurable illness. Based on Hermann Sudermann's novel Der Wunsch, the film explores love, jealousy, sacrifice, and the moral conflicts that arise when desire threatens family bonds.

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Cantinflas is a private in the military, who doesn't know anything about discipline or following rules. He only wants to think about his girlfriend, the maid in an opulent hacienda. The owner of the hacienda has an ugly and shy daughter, who is in love with Cantinflas. The problems arrive when the family arranges a wedding between the ugly girl and Cantinflas, who in order to avoid the commitment gets himself arrested. During his punishment, Cantinflas learns to fly with a silly and poorly trained flight instructor.

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Bank employee is tempted to make use of banknotes scheduled for destruction.

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An unmarried lawyer defends his ward's boyfriend, accused of murder. One of only a handful of films produced by RKO’s short lived Latin American production arm Ramex.

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A marriage becomes a living hell when hubby's pathologies start surfacing.

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"The great love of his life" happened five times; one of those women just wrote him a letter. Which one will it be?

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Tango singer exploits the women in his life. Learns a valuable life-lesson.

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Jalisco, 19th century. Diego, a wealthy landowner, secretly marries Amparo, defying her father Juan Manuel, who fiercely opposes the union. Juan Manuel still holds a grudge against Diego, having once been his employer when Diego was just a laborer. Their secret marriage stirs jealousy and resentment, particularly in Octavio, Diego’s servant, and his wife Laura, who harbors unspoken feelings for him. As Diego departs for a military mission in Guadalajara, Juan Manuel, unaware of the marriage, attempts to arrange a match between Amparo and the Spaniard José Luis.

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On March 22, four days after returning to his home in Andalusia, Luis de Vargas writes the first of his letters to his uncle and favorite professor at the seminary. He reports that his father intends to fatten him up during his vacation, to have him ready to return in the fall to finish his training for the priesthood. He mentions in passing that his father is courting a twenty-year-old, attractive widow, Pepita Jiménez; his father is fifty-five years old. Pepita had been married for only a short time to an eighty-year-old moneylender named Gumersindo. Luis is not eager to see his father marry again, but he promises his uncle not to judge Pepita before he knows her.

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Original adaptation of the novel by its director, Alejandro Pérez Lujín, centered on the university adventures of a young man studying abroad who stays in a boarding house known as The House of Troy.

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Eloisa is an orphan, the fiancée of Agustín, who meets her when she arrives in Madrid fleeing her stepmother's mistreatment. She happens to be the mother of an illegitimate child, but in reality the mother is his cousin Irene (with whom he lives, next to his aunt) married to Mr. Adrian. Her aunt Marcelina tries with this lie to save her daughter Irene. After numerous family entanglements, the truth becomes clear and the couple can live together and in peace.

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