Helen Morgan

When vaudeville performer Florette Faxon is left penniless with her six-year-old son Jimmy, she relies on the friendship of fellow performer Bud Hannigan to help her get a job. Bud is reluctant to become her partner, as he has proven to himself to be unreliable in relationships, but he tells her to call him whenever she needs help. While working in a beer garden, Florette meets Hap Stanley, an avaricious performer who marries her to get the rights to perform her show routine. Hap dislikes Jimmy and eventually convinces Florette to send him away to school. Both Jimmy and Florette are broken-up over being apart, but Jimmy pretends it is what he wants so Florette can be happy with Hap.

Open details →

Short film in which Frankie Darro as a Telegram delivery boy visits various Hollywood locations to make deliveries. He visits the Los Angeles Pier and a Gala Hollywood Premiere.

Open details →

As a publicity stunt, a musical comedy star announces her engagement to a young man she believes is a gigolo, with whom she eventually falls in love.

Open details →

Based on the Hammett novel, this ultra-rare film—is nominally taken from the author's classic gang-war novel Red Harvest, which proved too brutal and cynical even for pre-Code Hollywood.

Open details →

A young woman, who wants to be in the Follies, is making ends meet by working at a department store's sheet music department, where she sings the latest hits. She is accompanied on piano by her childhood boyfriend, who is in love with her, despite her single-minded interest in her career. When a vaudeville performer asks her to join him as his new partner, she sees it as an opportunity to make her dream come true. Upon arriving in New York City, our heroine finds out that her new partner is only interested in sleeping with her and makes this a condition of making her a star. Soon, however, she is discovered by a representative of Ziegfeld.

Open details →

This early example of the "backstage" musical genre tells the story of Kitty Darling, a fading burlesque star who tries to save her convent-educated daughter April from following in mom's footsteps.

Open details →

This film sticks very closely to the Edna Ferber novel, rather than the musical based on the novel. There are only two major changes from Ferber's book : *Julie in this version is a white woman, not a racially mixed one; therefore she and her husband are not unlawfully married. * Ravenal returns at the end, instead of dying as in the novel

Open details →

After buying a car, Richard Burton finds that his wife and daughter have become unreasonably extravagant, and is surrounded by sponging friends.

Open details →