Egidio Eronico

As in a long suite, the cinematographic story of a country, Italy, in its current physiognomy, in a film made only of images and music. A home atlas of wonders that are sometimes misunderstood and of places known, loved and often lost. And of people cultured in their living in a highly stratified territory, between the still usable grandeur of the past and the apparent stasis of the present. A country marked by strong inequalities and nevertheless in continuous transformation in the difficult race towards sustainable development, problematically suspended between the old and the new and the increasingly difficult search for a balance to safeguard its éthos.

Open details →

Open details →

A man who grew up an orphan finally gets to meet his father: The psychopath Dr. Josef Mengele, the Auschwitz surgeon who performed genetic experiments on concentration camp refugees during WWII.

Open details →

Five untitled episodes: a businessman visits prostitutes before returning to his wife; an extra falls asleep at the cinema; a farmhand faces an Eastern European bully; a woman foresees the death of her lover; a small-time criminal feels the eyes of the mafia on him.

Open details →

Open details →

After the death of their parents and to escape a forced and inevitable separation, Bruno, twenty-four, and his sister Irene, fourteen, flee the city. The two orphans live by wandering and committing petty thefts and robberies, almost for fun. The agreement between the two is not perfect, because there is someone who would like to go back. But the game will become more and more serious and will lead them to death. A small example of independent and courageous Italian cinema. The structure is that of a road movie (the place crossed in this case is Molise), but the directors focus above all on the humanity of the characters, lingering on their faces.

Open details →

The search for a feeling of Rome leads Renato Nicolini, an exceptional reporter, to take a journey through the city in an attempt to unravel its mystery. Following in the footsteps of famous and lesser-known visitors, on a physical and imaginary journey, the elements that characterize the overall landscape of Rome unfold; one by one, the names, faces, works, and anecdotes of the architects of this city parade before us.

Open details →

Open details →

After the death of their parents and to escape a forced and inevitable separation, Bruno, twenty-four, and his sister Irene, fourteen, flee the city. The two orphans live by wandering and committing petty thefts and robberies, almost for fun. The agreement between the two is not perfect, because there is someone who would like to go back. But the game will become more and more serious and will lead them to death. A small example of independent and courageous Italian cinema. The structure is that of a road movie (the place crossed in this case is Molise), but the directors focus above all on the humanity of the characters, lingering on their faces.

Open details →

As in a long suite, the cinematographic story of a country, Italy, in its current physiognomy, in a film made only of images and music. A home atlas of wonders that are sometimes misunderstood and of places known, loved and often lost. And of people cultured in their living in a highly stratified territory, between the still usable grandeur of the past and the apparent stasis of the present. A country marked by strong inequalities and nevertheless in continuous transformation in the difficult race towards sustainable development, problematically suspended between the old and the new and the increasingly difficult search for a balance to safeguard its éthos.

Open details →

Open details →

A man who grew up an orphan finally gets to meet his father: The psychopath Dr. Josef Mengele, the Auschwitz surgeon who performed genetic experiments on concentration camp refugees during WWII.

Open details →

Open details →

After the death of their parents and to escape a forced and inevitable separation, Bruno, twenty-four, and his sister Irene, fourteen, flee the city. The two orphans live by wandering and committing petty thefts and robberies, almost for fun. The agreement between the two is not perfect, because there is someone who would like to go back. But the game will become more and more serious and will lead them to death. A small example of independent and courageous Italian cinema. The structure is that of a road movie (the place crossed in this case is Molise), but the directors focus above all on the humanity of the characters, lingering on their faces.

Open details →