Ronnie Von

Just before her departure, Rita Lee writes a farewell letter to her three children and her husband and musical partner, Roberto de Carvalho, in which she reflects on her life and joyfully celebrates her family. Her final moments also mark the time to look back and review a career full of unforgettable successes, which led her to sell more than 55 million records. But it is also a time to reveal her downfalls, her vulnerable side, and her excesses as the queen of rock. With completely unseen personal archives and exclusive testimonies from her own family, as well as producers, journalists, musicians, and celebrities such as Gilberto Gil and Ney Matogrosso, "Rita Lee: Mania de Você" presents her definitive legacy.

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A deck of cards discovered at an antiques fair reveals the eccentric past of a famous Arabian horse breeder, the photographer and filmmaker Lenita Perroy.

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The impact of Ney Matogrosso's performances on his audience and the reverberation of that impact on Brazilian culture, from the second half of the 20th century to the present. An audiovisual anthology, all composed of archival images. The best way to get to know Ney is to be with him on stage.

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A group of three youtubers who call themselves experts in supernatural beings decide to win public recognition once and for all. For this they plot a plan to capture a being known to all. It is the spirit of a light-haired woman who died in an unknown way and who haunts the bathrooms of schools across the country: the blonde in the bathroom.

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A documentary on the life and work of Amácio Mazzaropi, a phenomenon of popularity and profitability of Brazilian cinema.

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Two teenagers fall in love, but their feuding families and fate itself cause the relationship to end in tragedy.

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Three stories in which one of the protagonists is a metered car driver.

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After getting lost on a sea excursion, Jô Penteado and Fábio Coutinho develop mutual feelings during the two months they spend stranded on a deserted island.

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The Trapalhões live in a floating boat and have a miserable life. When they find an abandoned baby, they decide to raise it as if it were their own daughter. Later, when they begin to work in a circus, they discover that the child is in fact the daughter of the trapeze artist and that she was forced to surrender her daughter to a gang that negotiates children abroad. This gang finds them and tries to recover the girl who now, however, has the help of the Trapalhões to protect her.

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The telenovela tells the story of Pedro, a young singer seeking recognition and success. The son of Celso and Anita leaves his parents' home when he discovers that his brother Claudio has become involved with his girlfriend Selma. The singer then goes to live in a student community, where he meets the siblings Bruno, a composer, and Nina. Pedro and Bruno begin a professional partnership. Nina ends up falling in love with the singer, but is torn between him and the former seminarian Chico.

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Os Trapalhões was a Brazilian comedy group and also a Brazilian television series created by Wilton Franco. Its members were Dedé Santana, Zacarias, Mussum and their leader Didi Mocó, that was played by Renato Aragão. The name Trapalhões is derived from the Portuguese verb atrapalhar, which means the opposite of helping, to do something the wrong way or to Those that confuse. The name is translated "Tramps" in English DVD subtitles. It was aired by Rede Globo from 1977 to 1999. On March 18, 1990, Zacarias died due to respiratory failure, but the group and the series didn't come to an end until July 29, 1994, when Mussum died due to an unsuccessful heart transplant.

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After Cláudia, haunted by her husband’s death on a car crash, starts a romance with another man, she starts receiving threatening letters.

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Chronicles the life of a 17 year-old girl living in the upper-class Rio de Janeiro neighbourhood of Ipanema. Márcia lives a life of parties and spend her days among bohemians, musicians and intellectuals. While seeming happy in the outside, she's extremely anguished inside. Based on the famous song by Antonio Carlos Jobim and Vinicius de Moraes.

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