Antonythasan Jesuthasan

Year 1763. Forced into exile, the famous libertine Giacomo Casanova leaves Paris and travels to London, where he meets Marianne de Charpillon, a young prostitute to whom he is so attracted that he forgets about the other women.

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Aathi is a quiet henchman for a tough boss of the Paris Tamil mafia. When he meets Minnale, a young immigrant with nowhere to go, he begins to question his loyalty.

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One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless.

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Paris, 1982. Franck and Serge are police investigators in charge of making a good catch in the Parisian porn industry. In order to infiltrate the mafia, they take over a peep show in Pigalle riddled with debts. In attempt to jump start the business, they begin to produce short porn films.

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A beautiful twenty-year old transwoman dancer, Roobha, falls in love with a much older charismatic family man, Anthony, giving him a sense of escape and solace from his mundane life and troubles.

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In 2009, war is raging in Sri Lanka. 10,000 km away, in the Tamil district of Paris, Seelan sees his daily life turned upside down.

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The Sunshine is about a young refugee (Armstrong) who flees from the war-torn northern Sri Lanka and embarks on a perilous journey through India, Nepal, Thailand towards an uncertain destination, leaving his childhood sweetheart on the shores that foam blood. The film looks back at the perils faced by Armstrong, a Sri Lankan Tamil, along with his epic odyssey from conflict and violence-ridden homeland, towards far corners of the world risking death, detention and deportation over the lands and seas. The Sunshine will explore the ultimate universal question how and why people get prepared to risk everything. The movie will tell the story of human struggle and not just merely make a political statement. Director Leena Manimekalai says, The Sunshine is unique and personal because it has the autobiographical touch of her friend and writer Shobasakthi.

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Three war-torn strangers posing as a family flee Sri Lanka’s civil war to start over in a troubled Paris suburb, but their past traumas resurface as they struggle to survive in their new environment.

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Dhanushkodi, the Indo-Sri Lankan border town, is the crucible wherein History is brewing this concoction of defeated lives and exhausted dreams. Manimekalai, the filmmaker, Soori, a half-wit Sri Lankan Tamil Refugee, Munusamy, the fisherman, Rosemary, the social worker in Jesuit Christian Refugee Services, try hard to retain their sanity in this mad jumble. Their interactions with the dead or living refugees, their skirmishes with the Indian and Sri Lankan States, their personal lives overrun by external events - form the kernel of this narration.

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