Guida Maria

He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?

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Diogo Almada is a successful account manager at a telecommunications company who is struggling with serious stress and anxiety issues due to the constant state of pressure he lives in. His situation becomes worse when he suffers a stroke which puts him in hospital. There, doctors tell him that if he doesn't slow down things could become much worse for him in the future. He also meets the owner of a vegetables and herbs greenery in Beirais, a small village in the midlands, who is looking to sell it. Diogo then decides to buy him out and risk it as a farmer himself. He wants his girlfriend Teresa to come along with him, but she refuses to leave Lisbon due to her career and also because she doesn't want to give up her city comforts. But Diogo decides to move to Beirais anyway, where he is faced with an entirely different reality from what he’s used to.

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Cristina is twenty years old. Her father was declared missing in action during the war in Angola many years before. One day in church the girl meets a man about fifty years old who tries various times, unsuccessfully, to make the sign of the cross. The man is called Cristovão. A few days later the two meet again. The man offers to help her look for her father. A relationship based on memories and confessions is formed between them. But soon they each return to their own solitude.

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This Portuguese movie directed by João Botelho, is part of The Four Elements series. This is the second episode, The Air.

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The soap opera tells the story of two families: Cardoso and Guimarães whose bosses are, one of them, bank manager and the other owner of a textile factory, linked to the world of fashion.

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End of the 20th century. A group of scientists executes a project aiming to prevent a nuclear war with the planet Khalom. From their experimental project, involving manipulating events in the past, two mysterious human creatures travel between the present and the 19th century, and back - getting in love with four different persons.

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Luís Medeiros, Azorean painter, meets two odd characters in an exhibit in Lisbon: Inês, a charming woman, and Ed, a sneaky man. The two reveal to have with them a precious document that might be threatening to Luís. He brings them back home but his serenity is over due to an unexpected chain of events.

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José Pereira, a young medical graduate, meets a young and ardent Maria Eugénia. The time is the eve of the Portuguese Revolution, on 24th April 1974 and only a short time elapses between courtship and marriage. The young pair are very much in love, but José begins to have doubts about the "honesty" of such intense feelings of love, feelings which are too intense (or hot) to him . If Maria Eugénia is like this with him, will she be the same with other men?In the meantime, the Revolution takes its course. José, who previously had been persecuted because of his opposition against the old regime, now feels "left behind" and frustrated.

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In the gardens of a large village house belonging to a reclusive architect, a hand is found. In a sign placed at the gates of the property, the architect annouces he will return it to whoever proves to be the owner.

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Jorge Lopes is a journalist in a Lisbon daily newspaper. He does story after story in the Portuguese capital, covering all the aspects of its life, accompanied when necessary by Antonio, his photographer.

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José and Maria, a young, devout couple in a remote Portuguese fishing village, take a vow of chastity on their wedding night to honor a religious pact. Their commitment is pushed to the breaking point when they rescue a mysterious, wounded stranger and bring him into their home. As the outsider’s presence ignites repressed desires and jealousy, the couple's sacred promise leads to a violent confrontation with the local community's superstitions.

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A fussy insurance inspector (Varela Silva) has the mission to investigate why, in three years, 325 employees have passed through a farm shop. In his police demand, he speaks with the maid, the girl Elvira (Fernanda Borsatti) and with the store's boss, Mr. Silva (Henrique Santos). His curiosity will only be satisfied with the arrival of Dona Berta (Elvira Velez), with her "nausea" daughter (Isabel de Castro) and her "unbearable" granddaughter (Guida Maria)

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