Belma Lizde-Kurt

A mini-series based on true events that addresses heavy social issues such as domestic violence, femicide, and the inefficiency of the system in protecting victims. When Milka happens to meet Jakša, their romantic love quickly turns into a nightmare after marriage. Jakša views marriage as complete ownership over a woman – controlling her time, making decisions for her, and tracking her every step. Milka finds herself trapped in a cycle of psychological and physical abuse. When she decides to fight for her freedom, she clashes with a slow and often ineffective state apparatus that reacts too late to protect the victim.

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During a chaotic cleaning of their apartment because of impending guests, mom Esma is berating her daughter Ena for not cleaning the “proper” way. Ena is sent to buy groceries, but on the way from the market, she gets whisked away into a magical world as she searches for the origin of a mysterious sound.

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It is the third year of the war and Sarajevo people are tired and nervous. A ceasefire has been announced. In a building with six apartments, a young couple is waiting for a renovation. The whole neighborhood is excitedly waiting for the birth of a new baby. Roma play and sing under windows.

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Mahir is married to Geraldine for three years and still they have no children. So Mahir becomes convinced that he is pregnant. From that moment, he keeps throwing up.

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The director's fascination is the parallel world which exists behind the doors of big shopping malls. It is as if behind those doors everyday human problems do not exist. Yet, as we spend money, we all have to go back, through the same door, back to reality.

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