Litja Ilmari

Wintery forest and stubborn 16 year old girl dazzle the teacher from Helsinki.

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Young Anna marries Tuomas, an old widower. Tuomas reluctantly sells his forest to the boss of Ruukki and is forced to take in a group of loggers, among whom the handsome womanizer Humu begins to seduce the young mistress of the house.

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Justina urges Pete and Runt to get a job. As a result they meet an orphan boy named Otto while working as a park nannies. They offer to shelter the boy, but at the same time the father Antti, who has returned from the sea, is looking for his son together with Miss Raikas.

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Niskavuori's Aarne (Arne från Niskavuori) is a Finnish drama film from 1954. It is based on Hella Wuolijoki's play Niskavuori's Bread. In chronological order of the Niskavuori series, the film is the fourth. Aarne has married Ilona and left the house in Niskavuori, which he hosts, where his former wife Martta still lives, while the old mistress is holding the reins. Aarne and Ilona live in Helsinki, but Aarne has not been able to completely break away from Niskavuori, but keeps secretly in touch with the headmaster and gives instructions on the farm management.

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In the heart of Savo, police officer Kontkanen is searching for Heikki, a man suspected of selling alcohol. At the same time, he tries to catch the ram that has escaped from Piiroinen's farm and win the heart of Annastiina, the farmer's daughter, who is also sought after by other suitors.

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Princess Sleeping Beauty is cursed by Tuonettare and falls into a hundred-year sleep, from which she can only be awakened by a kiss from the prince.

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A story about the life of Eero, a machine shop worker, and his younger brother Martin in the working-class neighborhoods of Helsinki, and the change brought about by a conductor and his daughter who move in next door.

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Laikan Otto falls in love with a fair-haired beauty at the market, who later turns out to be Elina, daughter of the wealthy Orttenmaa family. The girl falls in love with Otto, but does not want to marry someone poorer than herself. The hurt man returns to his home village, where the sweet Anna Kervilä awaits him.

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The old man at the Eirtola house warns the new maid Eriikka about the fate of Jenny, the summer girl. Jouko, a university student from Eirtola, arrives home for the summer and begins to court the pretty maid. At the cattle shed, Eriikka finds a box, the contents of which she examines together with Pastor Tuomo Ahomaa. The tragic fate of Jenny, the summer girl, is revealed.

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Maria, who lives in Hermann, Helsinki, takes in a baby abandoned on the steps of a bar. Mean neighbors call the foundling, named Stiina, a municipal orphan, which makes the girl ashamed of her background. Malicious gossip, constant poverty, and misfortune strengthen her spirit. Stiina grows up to be a brave and fair woman.

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In his will, Assessor Walter Timelius acknowledges that he is the father of his former housekeeper Iida's child. The assessor's sister Agda does not accept her brother's illegitimate daughter Marja Kauria into the family. The jealous aunt is shocked when cousins Hans Timelius and Marja, who are studying together, fall in love with each other.

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Immersed in his research work, professor Reinhold Varavaara realizes that he has neglected his children's upbringing. He falls in love with his son Pelle's girlfriend Marja and becomes a laughing stock in the eyes of his family. The offended father sets out to discipline his ill-behaved children.

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“Tukkijoella” (Log River – 1928). Films of this genre gave the Finnish cinema and the viewing public one of its most popular characters – the lumberjack (tukkijatka, tukkipoika, tukkilainen) who at his most heroic hour becomes the log-roller or the shooter of rapids (koskenlaskija). The significance of this character in Finnish film is comparable to that of the Cowboy on American cinema. He is the pioneer, the wanderer, the adventurer. He negotiates the frontier, he is an embodiment of the conflict between wilderness and civilization.

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