Claudia Acosta

Fatima, a woman in her forties, becomes an online overnight sensation. Sofi and Cami, a pair of young influencers, will try to take advantage of Fatima's sudden popularity by pretending to be her friends, unbeknownst to them that they messed with the wrong person!

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In order to pay his debts, Compayito (Edson Zúñiga), a former sports commentator, is chased by loan sharks. While trying to flee, Compayito is run over by Zacarías Fernández (Raúl Araiza), who lost all his money trying to rescue companies from bankruptcy and now lives with his family at his father's house. Compayito is allowed to stay at the Fernández house, and Zacarías sees this as an opportunity to fix his financial problems. Zacarías believes that if he can restore Compayito's fame, he will benefit from his success. However, Compayito will pretend he is still injured to avoid being caught by his creditors.

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After the death of her abusive husband, Matilde finds her new best friend in Miguel, her young, insecure, and disoriented neighbor.

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Lorena is a seven-year-old girl who wants to win the school’s piñata contest, where the grand prize is a bicycle.

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Cagalera and Moloteco are two teenagers from San Gregorio Atlapulco who are desperate to get out and move up and away from oppressive circumstances. When they hear of an opportunity to buy a spot in the electrician’s union, which could transform their lives, they quickly devolve into the criminal, adult underworld of Mexico City in a bid to buy their freedom.

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Muchacha italiana viene a casarse is a 1971 Mexican telenovela by Televisa produced by Ernesto Alonso and directed by Alfredo Saldaña, starring Angélica María and Ricardo Blume. Writing credits belong to Delia González Marquez, Fernanda Villeli, Marissa Garrido, Miguel Sabido and Carlos Lozano Dana The series featured two theme songs: "A dónde va nuestro amor" and "Lo que sabemos del amor". Both songs were written by Eduardo Magallanes and performed by Angélica María.

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An extraordinary black comedy that explores the limits of survival and absurdist political power games. The story takes place in times of elections in Mexico. A candidate for Governor runs over a pregnant migrant. After the accident, and to avoid a possible scandal, he hides her in a building he owns. Pressured by his political boss and so as not to ruin his political career, the candidate evicts the migrant. In a non-realistic style, the film focuses on the stories that surround the migrant during her search for a room. A radical film, with a critical gaze, that reflects the spirit of contemporary Mexican society.

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Stories about people who get into problems who use the help of Virgin Mary and where a rose appears and their problems are solved.

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