Ana Carolina Marinho

Letícia discovers she is pregnant but does not know who the father of her child is. There are four possibilities. Despite being insecure and afraid, she gets in touch with the potential parents. Everyone claims that the child can’t be theirs because they didn’t come. She didn’t come either. The solitary pregnancy takes a turn. When the child is born, her restlessness takes shape: she goes on a quest to find out who her child’s father is. The pressure and overload on her reveal a cycle of violence. In an honest and direct way, the documentary is a trigger of unease, exposing the negligence of parental abandonment.

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A group of drag queens from a suburb of São Paulo, unveils a day of performance under the curious gaze of a child. What is being a drag queen?

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Heightened physical desire can be both liberating and treacherous, as two women observe each other from their towers.

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Nosferatu arrives in a town escaping from Van Helsing. He brings not only his curse, but ghosts from his past. In this escape, he dives into a macabre dance searching for an actress and faces the horror of eternity and the pain of an endless existence.

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On a hot summer day, Paloma decides to fulfill her most cherished dream: a traditional wedding in a church with her boyfriend Zé. She is a devoted mother, a hard-working farmhand in a papaya plantation and has been saving to afford the celebration. The priest’s refusal to marry her and Zé will force Paloma to confront the rural society. She suffers violence, betrayal, prejudice and injustice but nothing shakes the faith and determination of this transgender woman.

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A street vendor who lives in the outskirts of São Paulo returns home at night and does not find her teenager son. After a nonstop search, she finds out the boy was killed by the police and his body is missing. This is the beginning of this woman’s vertiginous fight for the right to bury her son, a fight that will not only unveil the excessive violence of one of most lethal police forces of the world, but also how structural is racism in Brazilian society.

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Jean feels trapped in the logic of longevity that the pharmaceutical industry imposes on him and decides to plan a conscious suicide. He invites Helena to commit suicide to two. She, on the other hand, hesitates, knows that she will live well even if she needs to live alone, but she helps him in his intentions. The silence between them does not reveal distance, but intimacy. These are years of shared affection. Together, they will prepare all the details for the funeral. He dances death while she continues rehearsing life. In the process, the two realize that before the end, there is still a lifetime.

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Nosferatu arrives in a town escaping from Van Helsing. He brings not only his curse, but ghosts from his past. In this escape, he dives into a macabre dance searching for an actress and faces the horror of eternity and the pain of an endless existence.

Open details →

Letícia discovers she is pregnant but does not know who the father of her child is. There are four possibilities. Despite being insecure and afraid, she gets in touch with the potential parents. Everyone claims that the child can’t be theirs because they didn’t come. She didn’t come either. The solitary pregnancy takes a turn. When the child is born, her restlessness takes shape: she goes on a quest to find out who her child’s father is. The pressure and overload on her reveal a cycle of violence. In an honest and direct way, the documentary is a trigger of unease, exposing the negligence of parental abandonment.

Open details →

A street vendor who lives in the outskirts of São Paulo returns home at night and does not find her teenager son. After a nonstop search, she finds out the boy was killed by the police and his body is missing. This is the beginning of this woman’s vertiginous fight for the right to bury her son, a fight that will not only unveil the excessive violence of one of most lethal police forces of the world, but also how structural is racism in Brazilian society.

Open details →