Nazmi Sinan Mıhçı

An absurd documentary series that tells the story of humans, to humans, with humans and in a humane way, İsmet Ve

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Defne, a young woman with special powers, makes an appointment for a tarot reading from the best fortuneteller of Kadıköy, Hale. The cards are spread, but Defne acts weird, she doesn’t seem to care. Whose fortune is being read, really? And who on earth is that strange dude hanging in the background? A harsh realty-check awaits them but definitely without cards.

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With the hope that the pandemic is coming to an end, Didem has been preparing for a New Year’s Eve celebration for over a month. All her loved ones can finally get together and make up for the lost time, but the lockdown announcement has her plans blown off course. Ozan is determined to let his wife have the celebration she deserves. He invites their neighbors to the party, and the fun begins.

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Vedat, a veteran missionary, and Evren, a political corrector who has studied philosophy, are the duo assigned for the 'extremely important' errands of a wealthy businessman. This mismatched duo, one of whom closes his eyes and does his duty, and the other questions every step he takes, sets out on a different adventure in each episode. But they clash within themselves, more than they do due to duty.

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Kalender who works at a casting company owned by a relative and occasionally takes on small, non-speaking roles in TV series and films. He dreams of marrying his long-term girlfriend İmge and tries to arrange small roles for people in his neighborhood. Kalender is implicated in a financial crime involving his relative's name and is sent to prison for a short time. In prison, he meets a prisoner named Vefa. Vefa recognizes Kalender from the TV series and films he has appeared in, despite being younger than him; he quickly grows fond of Kalender and takes him under his wing.

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Rimo and Zimo are two towns that are not very far from each other, divided by a small desert. Both towns’ people have stayed away from each other for a long time, feeling mutual hatred and fear. One day, two little rascals from Rimo, Bızdık and Minnik, decide to go to the desert for an adventure. Meanwhile, the Zimo Family enjoys a family picnic at the desert with their baby egg and little daughter.

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It is a story about a certain tragicomic relationship between an abstract sculpture name 'Chaos'-which finds itself in a fringe suburb-and the people who live there. A considerable portion of the art-themed movies made around the world often takes place in an intellectual atmosphere. These works are hence movies that reflect the theoretical 'high' art debate the elites deal with. Our movie rather depicts the warm relation between a surreal sculpture and those who live in slums and outskirts. In other words, it is the story of understanding and benefiting as much as possible fro 'Chaos' by those who see and render the world through their own dim window, who try to save the day with their ordinary calculations.

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Güldür Güldür Show, which has won the admiration of everyone with its legendary cast, continues to bring a new approach to many topics from family to love, fame to technology, football to friendship with its unique sense of humour.

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