Charles Inslee

Tarzan spurns the love of La, Queen of Opar. When he isn't trying to keep the Bolshevik Rokoff and Clayton (pretender to the Greystoke estate) from reaching Opar, he is attacked simultaneously by two lions, dropped into a pit when a volcano splits the ground, nearly sacrificed by sun worshipers, and so on.

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The Man Who Woke Up is a 1921 silent Western.

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Bart Carson is in love with Lou and even goes to jail to save Walter A. Walker, a man she says is her brother but who is really a husband who has deserted his wife and two children.

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On his deathbed Steele Weir's father tells his son of a band of criminals who framed him for murder and robbed him of valuable land in the West. Under contract to build a dam, Steele goes to the headquarters of the gang; and becoming aware of his identity, they plot against him with the services of lawyer Martinez. He, however, proves to be Steele's friend and obtains evidence against the gang. When Ed Sorenson, the leader's son, steals the evidence, Steele's sweetheart, Janet, outwits the enemies, and after many adventures the bandits are convicted and Steele wins the girl.

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An American short comedy film.

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1918 American silent comedy film featuring Oliver Hardy

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A dishonest undertaker stirs up droll, laughable tragedy between two devoted husbands and their loyal wives in his attempt to build up an insurance sideline when the undertaker business fails.

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The Mayor and the Chief of Police have offices in the same building, and are both enamored of the chief's stenographer, Dolly. However, she gives most of her attention to young Sammy, secretary to the Mayor. Approximately, 11 minutes survive from this two-reeler.

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A janitor at a bank is in love with a secretary and dreams that she has fallen in love with him too.

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Mother, father and daughter go to the park. The women doze off on a bench while the father plays a hide-and-seek game with a girl, blindfolded. Charlie leads him into a lake. Both dozing ladies on the bench fall for Charlie and invite him for dinner. The father returns home with a friend. Charlie rushes upstairs and dresses like a woman, shaving his mustache. Both men fall for Charlie.

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Charlie and his boss have difficulties just getting to the house they are going to wallpaper. The householder is angry because he can't get breakfast and his wife is screaming at the maid as they arrive. The kitchen gas stove explodes, and Charlie offers to fix it. The wife's secret lover arrives and is passed off as the workers' supervisor, but the husband doesn't buy this and fires shots. The stove explodes violently, destroying the house.

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Ham fears he has accidentally killed his landlady so he and Bud go on the run, disguised as a missionary and a cannibal.

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A swindler scams a newspaper reporter-photographer and then, not realizing where the man is employed, applies for a job at his newspaper.

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Moving Picture World categorized the film as “a nonsense number”, but Normand's Won in a Closet, her second as director, displays her burgeoning talent. Mabel’s father, the country constable, is smitten with the mother of the boy Mabel imagines “her ideal”. The young couple’s romance is disrupted first by two rival “cut-ups” and then by misapprehension that a tramp is hiding in a closet at the mother’s home. In reality, the mother herself takes refuge in the closet to escape the constable’s attentions.

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Mabel has two suitors - an oily con man, whom she mocks in a very funny scene where she is shown twiddling a fake moustache and making her feelings very clearly felt. Even in this early comedy her natural fun comes through. The one she really loves is clumsy yokel Ford Sterling, who is determined to buy an oil well that the con man has for sale. The conman gets a local fellow to pour oil over the property. Ford falls for it and buys it - Mabel and he are to be married. Then the fellow confesses that it was just a scam - there was no oil.

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Two rivals for Mabel's hand play a series of dirty tricks on each other. Finally, one of them gets Mabel alone and is about to marry her, but his rival comes up with a strange scheme to stop them. Soon the Keystone Kops arrive on the scene, and chaos quickly ensues.

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Wine is a 1913 movie starring Roscoe Arbuckle and Ford Sterling.

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Fatty induces wife to let him take a day off to go to the celebration at San Diego. He has a wonderful time, flirting with the girls, breaking up a parade, fighting the police force and falling into the fountain with him, escapes, and with the crowd after him, leaps into the river. Here he rescues a little boy and becomes a hero. He goes home to wife in a bedraggled condition, tells of rescue and is set upon a pedestal. Wife, as a reward, takes him to the movies at night and sees husband flirting and fighting in the fountain, where some enterprising cameraman caught him. That explaining, as she thought, the bedraggled state in which he arrived home, she turns and beats him all the way home.

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The scene is laid for a quiet little wedding. The guests are waiting for Fatty and an ancient maid to be made one. Fatty's rival appears and breaks up the wedding. A lemon meringue pie battle ensues, with the rival the victor. He carries the bride away. A most sensational and ludicrous finish is when he sees Fatty at the foot of a precipitous cliff. In a fit of rage he throws the bride from the top of the cliff at him, who lands unscathed in Fatty's arms.

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An amusing bowling match between Messrs. Sauer and Kraut. The balls and pins are manipulated by an electric magnet and perform some queer antics. There is, of course, the usual roughhouse finish, with Ford and Mabel in the important parts. Good fun, without offense.

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A husband who has spent a convivial night is sleeping off the effects in bed while his devoted wife ministers for him.

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The Fatal Taxicab is a 1913 movie starring Mabel Normand and Ford Sterling.

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A young man falls in love with his mother's kitchen maid, Mabel. But his mother objects strongly, and arranges for him to meet another young woman whom she considers more suitable. Mabel confronts the young woman, and is dismissed from her position. Later, when the young man learns about the new career that Mabel has found, he begins to act in an agitated and unpredictable manner.

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Fatty rescues Mabel twice: first, from the unwelcome attentions of a masher, then from a runaway observation balloon.

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When a girl delivering expensive garments loses them to some Irish shanty town kids, her boss, a Jewish clothier, is livid and a fight breaks out. Soon the melee spreads to the whole neighborhood with brick throwing merging into bomb throwing, with the sides on clearly ethnic lines.

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Mabel and Roscoe love each other, but her father likes another boy. A rather sissified young man. Roscoe and Mabel stages an accident.

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Black Wolf, a brave, wants Whispering Water to be his squaw. Whispering Water is afraid of this taciturn Indian and refuses. He tries to carry her off but is stopped by another Indian, Brave Heart, and there is a savage light in which Black Wolf is worsted. He appeals to the chief to banish Brave Heart.

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The basis of the story is an old edict, issued as the result of one of the tribal differences, that death shall be meted out to the Hopi woman who marries an Apache.

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A pioneer caravan is attacked by Indians, who greatly outnumber the pale faces. The whole party are massacred, with the exception of a year-and-one-half old baby, who being hidden by its mother, escapes detection. Whitey is a big, bashful cowpuncher, who secretly worships at the shrine of the only eligible woman in camp, a buxom widow.

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A regiment of cavalry surprises the Sioux and puts them to flight. Colonel Graham and others personally attend to the wants of the wounded, and the Colonel finds a wounded squaw in one of the tepees, with a little girl crouched in terror by her side.

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John Dayton is shot by George Willis in a saloon quarrel. The deed is seen by Arline Marsdon, who gives Willis money and a marked timetable, whereby he escapes and goes further west. Mrs. Dayton is determined to bring the murderer to justice and engages the services of Craig Burton, a detective.

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A little girl whose parents were killed by Indians grows up the adopted daughter of a white settler and the one Indian who lives in the same hut with him. They both love the girl dearly and finally, when an artist comes along with whom she falls in love and who ultimately takes her away to his eastern home.

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A white woodsman rescues Little Dove from danger on two occasions and she crushes out on him... but wiser heads prevail.

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Mrs. Kendrick borrows a jeweled necklace from a friend for an important social event. The necklace is stolen, and Mr. Kendrick goes into debt to replace it. The thief discovers it's costume jewelry, but the Kendricks never learns the truth; Husband and wife struggle for years to pay off the huge debt.

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After three years at sea, Edward returns home to find his sweetheart forced into an engagement with a much older man.

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Hidalgo offers his daughter's hand in marriage when he can't repay a loan to Manuella. But when Manuella overhears the daughter bidding farewell to her lover, he is so moved by their devotion that he cancels the debt.

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