Mathias Ledoux

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Thomas is a talented computer programmer living in a vibrant, urban metropolis. Lonely and unsure about life, he finds solitude in the world of internet chat rooms, webcam sites and virtual communication. One evening, Thomas witnesses the brutal murder of a webcam friend and in a vain attempt to protect her he becomes the prime suspect in the homicide. Determined to prove his innocence, Thomas teams up with Claire, a specialist in internet crimes to uncover the truth. To expose the murderer, Claire and Thomas decide to set up their own webcam site using Claire as the cyber bait. Somewhere down the line the truth becomes blurred and Thomas no longer knows where to turn or who to trust. As his life starts to spiral out of control, he has to face the terrifying reality that he could be the next victim.........the virtual nightmare has only just begun.

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"A Woman of Paris" (1923) was the first film Chaplin made for United Artists Film Corporation, which he founded with his friends Mary Pickford, Douglas Fairbanks and D. W. Griffith. Chaplin had long considered making a dramatic feature. For the first time, he decided to direct. Actress and filmmaker Liv Ullmann analyses the film. She talks about the acting, the originality of the characterizations, as well as the "feminine" viewpoint Chaplin adopted for the first time in his films.

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Author Jean Dorset has suffered from a bad case of writer's block since his first novel became a bestseller. He lives in a small apartment in Paris with his wife Michelle and, in spite of their ostensible success, the couple are having trouble making ends meet. One day they receive the utterly unexpected news that they are the sole inheritors of a wealthy neighbor, M. Guillemet, whom they have never met. Guillemet has left them his old townhouse along with all of his belongings, but with two conditions -- the first is that the dead man's papers be left untouched, and the second is that his live-in maid Clemence Richbourg remain employed at the estate. The Dorsets soon learn why they were the recipients of such strange generosity. Guillemet had set up a camera with a massive zoom lens pointing to their bedroom window. The couple is shocked and disgusted, but not enough to give up their new tony digs.

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The Three Tenors: Paris 1998 (re-released with the subtitle The Concert of the Century) is a live album by José Carreras, Plácido Domingo, and Luciano Pavarotti with conductor James Levine. The album was recorded at a Three Tenors concert on 10 July 1998 during celebrations for the FIFA World Cup. The concert took place in front of the Eiffel Tower on the Champ de Mars in Paris, France. The Orchestre de Paris accompanied the singers. The audience at the live concert numbered around 150,000 people.[2] A sound system and large screens were placed along the Champ de Mars for the crowds further back to see and hear the performance.[2] Producer Tibor Rudas claimed prior to the concert that 2 billion viewers were expected to watch the televised performance worldwide.[3]

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Françoise Dorléac et Catherine Deneuve were nearly twins. Only 18 months separated these sisters who liked to say “Both of us could make the ideal woman”. Françoise Dorléac created her own style, unique even in France : a rare mix of elegance, humor, glamour. This is a touching portrait of an actress whose glory was cut short, seen through the eyes of her sister Catherine.

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Pierre is about to meet his brother for the first time. He is shocked to discover that his brother... is a woman!

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This series of sketches introduces doctor Apfelglück and four of his patients... and their rather peculiar and disturbing problems.

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A César award nominated short feature.

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Thomas is a talented computer programmer living in a vibrant, urban metropolis. Lonely and unsure about life, he finds solitude in the world of internet chat rooms, webcam sites and virtual communication. One evening, Thomas witnesses the brutal murder of a webcam friend and in a vain attempt to protect her he becomes the prime suspect in the homicide. Determined to prove his innocence, Thomas teams up with Claire, a specialist in internet crimes to uncover the truth. To expose the murderer, Claire and Thomas decide to set up their own webcam site using Claire as the cyber bait. Somewhere down the line the truth becomes blurred and Thomas no longer knows where to turn or who to trust. As his life starts to spiral out of control, he has to face the terrifying reality that he could be the next victim.........the virtual nightmare has only just begun.

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"Les Pianos De La Nuit" is a collection of piano recitals performed live in the heart of Provence during the International Piano Festival of La Roque D'Antheron in July and August 2002. Conceived specifically for DVD release, these virtuoso performances by contemporary artists can claim authoritative status as classic 21st-century archival footage. Johannes Brahms (1833-1897) 4 Ballades, Op. 10 No. 1 in D minor "Edward" No. 2 in D major No. 3 in B minor "Intermezzo" No. 4 in B major Robert Schumann (1810-1856) Piano Sonata No. 1 in F sharp minor, Op. 11 I Introduzione. Un poco adagio - Allegro vivace II Aria III Scherzo e Intermezzo. Allegrissimo - Lento IV Finale. Allegro un poco maestoso

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"Les Pianos De La Nuit" is a collection of piano recitals performed live in the heart of Provence during the International Piano Festival of La Roque D'Antheron in July and August 2002. Conceived specifically for DVD release, these virtuoso performances by contemporary artists can claim authoritative status as classic 21st-century archival footage. R. Strauss Ständchen, Op. 17 No. 2 Serenade Till Eulenspiegel, Op. 28 Godowsky Studies after Chopin’s Studies No. 47 Badinage No. 28 Study in Octaves No. 22 Study for the Left Hand Debussy L’Isle joyeuse Hummel Rondo in E-flat major, Op. 11 Liszt Totentanz, S 525 Ligeti L’Escalier du diable (No. 13 from: Études pour piano II) Saint-Saëns Study in the Form of a Waltz, Op. 52 No. 6 Tchaikovsky Pas de deux from “The Sleeping Beauty” Adagio Variation I : Désiré Variation II : Aurore Coda Alkan “20 Years” from the Grand Sonata, Op. 33 “The Four Ages” Delibes Pizzicato Polka from “Sylvia”

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