Edith M. Kennedy

Opera singer Julia Montfort (Irene Rich) returns to the stage when her husband, Verdugo Montford (Josef Swickard) loses his job...and then gives him work secretly paid for by herself. When a temperamental artist Babette Hermann (Pauline Garon) reveals the secret, Verdugo becomes disillusioned. Later, though, his faith in his wife is restored.

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Because of a storm wealthy Diana Webster and Jimmy Harrison, her Aunt Sue's fiancé, must stay all night at a country hotel. Getting a single room, they pretend they are married to satisfy the concerns of the hotel manager though Jimmy sleeps on a cot in the hall. Another hotel guest, Bruce Terring misconstrues the situation and later when he meets Diana his scandalous interpretation of her escapade infuriates the young woman. She decides to teach him a lesson and show him that "seeing is not always believing" by placing him in a similar unusual position. She hires an acting couple to frame a badger game on Bruce, but they double-cross her, forcing Diana into an extorting scheme from which Bruce must rescue her, resulting in a snappy but happy ending for Bruce and Diana.

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When a wealthy young lady loses her inheritance, she decides to apply for work in disguise. In prim and proper working girl attire she becomes the respectable companion of a woman looking to reform her wayward nephew.

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Vi Marchmont (Viola Dana) is a spoiled rich girl who has thirteen lovers. Her Aunt Letitia (Kate Lester) wants her to halt her flirtatious ways and has picked Clyde Van Ness (Theodore Von Eltz) as the right one out of the bunch -- not that Vi agrees. Aunt Letitia sends her off to the country, along with Van Ness and the gardener, Richard Hardy (Jack Mulhall). Vi winds up falling for the gardener, much to her aunt's horror, and in spite of the class differences, he becomes her fourteenth lover.

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Christina Elliott is concerned about her cousin's relationship with a snake dancer. Many complications ensue until a happy ending for almost all.

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A silent film version of the Kern-Bolton-Wodehouse "Princess Theatre" musical. The story concerns an engaged young man, Bill, whose ex-fiancée arrives unexpectedly on his wedding day. Meanwhile, comic complications arise because of a couple of crooks, the bride's mother dislikes the groom, and the nuptials are called off. Bill works to convince his old flame that he was not worthy to marry her; but his clumsy efforts do not make him look good to his new fiancée.

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Gail Ellis, a secretary, accompanies Professor Silas Griswold and his wife to China on an expedition to acquire antique vases. Curiosity draws her to the Shanghai slums where, unknown to Gail, her driver is participating in a scheme to abduct her. Gail escapes, but in the process is accosted by drunken sailors. Luckily, Rupert O'Dare, a young Englishman, is nearby and rescues Gail. He escorts her back to the hotel where he discloses his identity as a British secret service agent and proceeds to arrest the Griswolds for smuggling opium in antique vases. Gail then reveals herself as a member of the United States Secret Service and the two agents fall in love.

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Missy, the heiress to her uncle's fortune, resolves to make atonement for the innocent lives lost when her uncle's box factory burns down because of his criminal carelessness. After her uncle dies, Missy disguises herself as an employee of the new factory and does settlement work where she meets Rupert Bawlf and his wife Cynthia. Rupert's friends Oliver Cloyne and Dr. Paton observe Rupert's infatuation with Missy and tell her that Rupert is the subject of gossip in society circles. Cloyne persuades Missy to wed him and avert scandal for the Bawlfs, and promises to divorce her later. After the honeymoon, Cloyne discovers Missy is an heiress. He kisses her twice and declares that if he kisses her a third time it will mean that he plans to keep her. Rupert is rejected by Missy and repents. Cloyne rescues Missy from a fire and gives her a third kiss that signifies their mutual love.

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When cowboy Nick McCredie notices in a second-hand book an inscription to "Emily, the prettiest girl in school," he writes to her and learns that she is a lonely Eastern farm girl living with her grandmother. Instead of sending his own picture to her, Nick encloses a photo of his handsome friend Pen Walton.

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Romance and Arabella is a 1919 American silent romantic comedy film directed by Walter Edwards and starring Constance Talmadge, Harrison Ford, and Monte Blue.

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Trying to support her twin sisters on her own, Jane Neill lands a job working for a millionaire, but problems soon arise for the young girl when she declines the marriage proposal of the always-trustworthy Micky and falls in love with the millionaire's spoiled, lazy nephew. After she inherits the millionaire's estate along with much heartache, Jane finally comes to her senses and goes back to the ever-faithful Micky.

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The feather-brained wife of the level-headed Mr. Leffingwell. As the fashionable young couple wend their way through such standard social obligations as weekend parties, tennis matches and polo games, Mrs. Leffingwell becomes innocently involved with a couple of would-be philanderers.

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Molly is a wife of wealthy Britisher Sam Thornhill. Though devoutly loyal to her husband, the capricious Molly can't seem to avoid getting herself into compromising situations. The limit comes when a pair of Molly's stockings find their way into the boudoir of another man.

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A Scots-Irish lad comes to America hoping to find his fortune. On the sea voyage he meets and falls for a lovely young girl, but they are parted on arrival. Years later, in the Kentucky town where he has settled and prospered, he meets the girl again, and both sparks and complications arise.

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Tamura, a Japanese man working as a gardener in America, saves his money to marry his girlfriend, Japanese-American Nume Rogers. His friend Watana works for a Japanese businessman named Motoyoshi so that he can get enough money to bring his wife Sat-Su and their children to America. However, on the day that Sat-Su is to arrive, something happens that changes the lives of everyone concerned. A lost film.

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An Englishman who has made his fortune in America decides to return to England.

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When stern Judge McClure gets into an argument with his younger brother John, a physical fight ensues in which the judge apparently kills John. In fear of the consequences, he runs off to the West and hires guide Cal Nelson to take him far into the desert. Along the way they meet Mary Jackson, and the judge, overcome by heat prostration, babbles out his secret.

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Guido and his wife Antoinetta wind up with the estate of Leo Marcellini, a wealthy oil and wine merchant who has died intestate. They move into the mansion but are at a loss when it comes to dealing with servants and other trappings of the rich.

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