Lajos Alszeghy

In a small town in the countryside, the election of the president of the restaurant trade association is under way. The two rivals, Dénes Kövi, owner of the elegant Korona restaurant, and Antal Bálint, owner of the staid Makkhetes restaurant, are putting all their eggs in the basket for the title. Taking advantage of this situation, Pál Balázs, who has become the manager of his crippled painter friend, has a portrait commissioned with Dénes Kövi.

Open details →

A mysterious woman brings disaster to a small country town.

Open details →

In 1910, István Primusz, a master carpenter, was living in a small street in Óbuda with his three beautiful daughters, known locally as the "three doves". Guszti Groll, the wealthy master builder's full-grown son, courts the eldest daughter, Manci, and arranges a six-room apartment for her. But Manci loves the young and penniless baron. The young man only begins to woo the girl at the behest of his wealthy employer to seduce her for him, but eventually falls in love with her himself. Guszti Groll then quickly moves on to the middle girl, Ica, but soon finds out that she is already engaged to the apothecary. Now only the youngest girl, Stefi, is free, but she happily agrees to move into the six-room apartment with Guszti.

Open details →

You can get anywhere in a tailcoat. Viktor Norton, a young man imprisoned by mistake, also knows this. In Viktor’s tailcoat, he can easily get to the Excelsior Hotel, where he will meet the newly wealthy Dupont couple and their daughter Marie.

Open details →

A simple, religious Hungarian woodcutter lives with his wife and boy child with a small community of squatters among the peaceful mountains of Transylvania until a lumber company claims their land and forces them all to become company workers or else leave the land. This 1942 Hungarian film takes a detailed and unflinching look at the hardships of mountain living, and the realistic approach proved influential to the Neorealist movement in Italian cinema. Hungarian master director Istvan Szots won the Biennale Cup at the Venice Film Festival for his auspicious debut, but the film was banned by the Nazis as "too Catholic" and not publicly exhibited until after World War II.

Open details →