Giusy Frallonardo

Reconstruction of one of the most shocking crime news events in recent decades: the murders of Elisa Claps and Heather Barnett by Danilo Restivo. The story begins on 12 September 1993 and takes place over a period of about twenty years between Potenza and the English coast of Bournemouth.

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Viola Vitale, Miss Italy and fashion journalist, returns to Sicily to look for her father. She starts working for a digital news company and joins police inspector Francesco Demir in solving crime with the help of synesthesia.

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Follows three young millennials as they form a wholehearted ménage à trois, each of them going through a moment of transition: Fun-loving Marcello from under the thumb of his Italian soap star father, soulful French-Iranian actor Nassim toward a more fulfilling career, and artist Christine through the grief following the death of her grandfather. The trio finds joy together by joining political protests, making art, and falling deeper into their unconventional love, until Marcello must return to Italy.

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A broke mechanic turns a bank loan denial into an impromptu robbery that puts him on the run with his best friend and a starlet they hold hostage.

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Clara is a young and noblewoman with a free and rebellious spirit who was separated from her twin brother and forced into an arranged marriage. Despite this, she falls in love with her husband and fights to win his love. Clara however, falls victim to her aunt’s and cousin’s conspiracies, as they are determined to steal her inheritance.

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Riccardo, a southern man of solid principles and good feelings, decides to go and visit his daughter Aurora, who has been living in Barcelona for some time. There, however, a surprise awaits him: Aurora has married a woman. Indignant, Riccardo hastily returns to Italy, determined never to see her again. But perhaps destiny has decided otherwise.

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This European existential drama utilizes complex symbols inspired by abstract psychological theories to explore the effects and reasons behind a young classical actor's decision to stop talking. No one knows why Massimo has vowed to stop talking. Other than speaking dialog from classical plays, Massimo refuses to say a single word. His father, a classic-literature professor believes it reflects to a disappointing love affair. His new girlfriend thinks Massimo is rebelling against his mother, a poet. A director learns of Massimo and commissions his mother to write a play about him. Though Massimo plays himself in the play, and does speak, he returns to silence when the play is finished.

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