Nikos Alevras

A fantastic adventure with thrilling action. Fifty fantastic characters in fifty amazing locations. Who’s chasing whom? Where is Happiness? Where is Aglaia? Why do we live? Why do we love?

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A film director, his relationships with women and the expression of his bitterly emotions about cinema and Greece

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A sarcastic, improvisational film, with anarchic origins, strongly cinephile flavor, and largely autobiographical in nature and content. A film director strives to escape alienation, while, at the same time, expressing his intense feelings for his wife, cinema and Greece during the restoration of democracy.

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A film director, his relationships with women and the expression of his bitterly emotions about cinema and Greece

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An approach to the phenomenon of Thanasis Vengos, the man and the artist, through film excerpts, testimonies of his collaborators and relatives and analyses of his symbolic role in the post-war modern Greek reality. Thanasis Vengos, for more than fifty years, was one of the most important actors in Greece. His films and lines are written in history, raising more than three generations of Greeks.

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A left-wing ideologist reaches the limits of suicide, experiencing a deep crisis. He tries to write a book about everything that once existed, but has changed today. Everything around him seems distant. The friends, the family, the Party from which he withdrew. His hope for a different future is virtually dead.

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Antonis Katsaris stars as a teacher in the small village of Zante who fights the growing desire of many locals to abandon the village for the big city or other countries. He works hard to organize traditional cultural events, such as outdoor performances of the traditional play I Chrissomalloussa, in order to solidify local values and a sense of identity. The teacher is aided by a young woman, a widow who has just returned from Germany and lives with her father-in-law. Kazan walks away with the film, as his sinister desires for his daughter-in-law are inflamed when he sees that she has fallen in love with the teacher. These developments lead him to whip up protests against the play by conservative locals, claiming that the teacher has changed the traditional story by adding elements of propaganda with the potential of causing peasant uprisings. The result is an unexpectedly violent example of social censorship.

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A film director, his relationships with women and the expression of his bitterly emotions about cinema and Greece

Open details →

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A sarcastic, improvisational film, with anarchic origins, strongly cinephile flavor, and largely autobiographical in nature and content. A film director strives to escape alienation, while, at the same time, expressing his intense feelings for his wife, cinema and Greece during the restoration of democracy.

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