Gary Shail

Dempsey and Makepeace is a British television crime drama made by London Weekend Television for ITV, created and produced by Ranald Graham. The leading roles were played by Michael Brandon and Glynis Barber, who later married each other on 18 November 1989. The series combined elements of previous series such as the mis-matching of British and American crime-fighters from different classes as seen in The Persuaders! and the action of The Professionals.

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A group of boys serving Community Service orders are working on the conversion of an old railway station, when a local magistrate comes to visit them.

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At a concert Marcia picked Terry out of the crowd. So he no longer feels alone. Until he learns about her secret life and dare not tell his friends.

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The Bed opens with Jamie, a young man, looking round an old, deserted country house. Through flashback we see Jamie as a boy, scared out of his wits when his older sister and her boyfriend, left alone in the house to babysit Jamie for the evening, play cruel tricks on him. His sister makes believe she’s been sucked under Jamie's bed by a monster and her boyfriend pretends he’s been stabbed. Jamie has his revenge at the end when the couple, laughing at scaring Jamie half to death and frolicking on The Bed, are suffocated by its sheets and consumed by it. We come back to present day; Jamie looks at the empty room where the bed once stood then is called by someone outside: an ambulance driver beckons him down in a friendly voice. We assume it’s Jamie's day out from the mental asylum. The final shot is of the lighter part of flooring where the bed once stood disappearing once Jamie has left the room.

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Brad and Janet Majors find their strained marriage put to the test on popular Denton TV show Marriage Maze. Poor Brad is heavily sedated and institutionalised, whilst Janet is given a radical makeover and primed for stardom. But what are the real motivations behind the kooky DTV crew and their enigmatic head-honcho, Farley Flavors?

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Based on the 1973 rock opera album of the same name by The Who, this is the story of 60s teenager Jimmy. At work he slaves in a dead-end job. While after, he shops for tailored suits and rides his scooter as part of the London Mod scene.

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At a famous London disco venue, a competition is announced to select two dancers to star in a new film.

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The lives of Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley. The mandate of CI5 was to fight terrorism and similar high-profile crimes. Cowley, a hard ex-MI5 operative, hand-picked each of his men. Bodie is a cynical ex-SAS paratrooper and mercenary whose nature ran to controlled violence, while his partner, Doyle, comes to CI5 from the regular police force, and is more of an open minded liberal. Their relationship is often contentious, but they are the top men in their field, and the ones to whom Cowley always assigned to the toughest cases.

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A one-hour anthology television series of one-off contemporary and classic dramas produced by the BBC.

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These were truly the Darker Ages, The Chaos Wars ensued. Judgement upon humanity. Judgement upon a broken, wounded world. A World on the edge, bereft of the Old Gods who have descended into insanity, senility, or sentient sleep as they have tired of their mortal playthings. Magic, Kings, the Gods & order are all but lost and a new disorder reigns. The Darkest of times. So a strange alliance gather to stand & back the elemental forces of nature.

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