Evgeniy Grishkovec

Residents of the city of Kirovsk have not been surprised by the beauty of the northern lights for a long time. Once, thanks to him, a simple girl Zoya receives a fantastic gift - a magical power that can change the fate of people.

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Five novels about a radio network in our life. Someone use it as a tool for influence, someone for an expression of feelings and someone just for cynical calculation.

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Marina is in her late 30s, she has a successful business and a close-knit family. Her husband is a surgeon and her daughters study at fancy establishments. To everybody her life seems perfect. Though, it is all just a facade concealing the real problems: her husband has a mistress, her elder daughter is a slacker and drug-dealer, her youngest is a sociopath. Well, Marina herself is not really a flower-lady, but a brothel-keeper who is hiding her dark business from everyone. The truth may come out when a girl of Marina’s is found dead.

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After boyfriend's disappearance Zhenia develops an uncanny power for prophetic dreams. Using this gift she decides to escape fate and save her true love from Moscow's criminal underworld

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Yevgeny Grishkovets, who “changed ideas about the one-man show genre and even himself became a certain“ genre ”, calls“ Whisper of the Heart ”as his most unusual and most sacred work. “This is my sixth monologue in seventeen years of work, on the plan of which I have been thinking for more than five years, but I have never been given it. Three and a half years ago, I even thought about abandoning him and did Farewell to Paper. However, again and again I returned to “Whisper of the heart” ... It was a time of extremely careful and unhurried selection of words and meanings. ”

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A famous artist in the past learns that today is the last day in his life. Summing up his life, he realizes that no one and nothing keeps him in this world. But here he mentions that an old gray parrot has been living in his house for almost thirty years, which has faithfully played the role of "blue bird" for many years. An elderly, sick person is forced to run around the city in search of a new shelter for his faithful friend.

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Lev Nikolaevich, Levanka, Levochka, as his many friends call him, is a successful, glamorous, Moscow photographer. He's smart, good-natured. And he is an absolutely cynical person who can be rude to people. He lives in a world where talent, success and fame are valued above all else. At the same time, he is very childish, but does not realize this. The childhood fears are still inside him.

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The main character Alexander, the large businessman and the influential person in the city, after the intense working day is lucky the friend and the assistant Dmitry in restaurant. But to Dmitry's surprise, there they are waited by neither business partners, nor friends - indoors at all there are no visitors. Men should spend time in the company of silent waiters and numerous bottles with content of various fortress. When the door is locked from within, two heroes on a showdown have whole night.

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Gleb Ryazanov, a successful businessman, suddenly realizes that he has spent his best years on becoming a "right shot". Even his family life is nothing but a bargain. In a desperate attempt to start life with a clean slate Gleb leaves home, falling into a dizzying world of mysticism and crime, friendship and love. But to get out of the vicious circle is very difficult...

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Four hosts discuss some current news and comment on different issues in politics and economics, similar to 7 Tage, 7 Köpfe. The show's name is a reference to the 80s TV program "Прожектор Перестройки" - a program that was discussing current events on Soviet television during the times of Perestroika - and American socialite Paris Hilton, who, according to Svetlakov, symbolizes lack of taste. Thus, the name of the show implies that this is a current events program that shouldn't be taken seriously.

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The "Big Difference" is created not only for the audience, but also for those who became the hero of the parody - TV presenters and actors. A guest who comes to the studio seems to see himself through a magnifying glass, because all the details are taken into account in the parody: the character's manner of dressing, speaking, diction features, plastic, makeup, hairstyle. The uniqueness of the project is that in addition to entertainment, the program also has a developmental function. After all, our guest, who is being parodied, has a chance to look at himself from the outside, to see his shortcomings and advantages. Some people like themselves, and some don't. But the main thing is that no one remains indifferent.

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During the post-WW2 reconstruction in Russia, bald-headed technocrat Drozhdov equates communism with the empowerment of the ordinary man over the arrogant "specialness" of genius. Dedicated scientist Lopatkin takes refuge in Moscow with the potty, brilliant old inventor Busko. Lopatkin works tirelessly on his invention, embarking on a roller-coaster of rejection and acceptance, his work vilified, plucked apart and plagiarized by colleagues, particularly by his nemesis Drozhdov. Drozhdov's wife Natasha, alienated from her cold, controlling husband, is increasingly drawn to Lopatkin, whom she knew when they both taught at the same school. Soon she runs away from her husband and happily keeps house for the two absent-minded ex-professors Lopatkin and Busko. Natasha is ready to give Lopatkin her own life, love and faith. Lopatkin is eager to sacrifice his life for the idea, doing the utmost for his motherland.

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Today’s twenty-something Russians are the first generation in the country’s post-communist history to have grown up free. Their twenties are the age of freedom, of fast-changing events and intense emotions. Perhaps only at this age they can live a whole life in one day. A young girl and her two accident companions walk halfway around St.-Petersburg; they flirt and tease each other, and for ninety minutes they act out a real-time romantic drama. This stroll is full of laughter and tears against a backdrop of the hustle and bustle of the streets.

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Based on Boris Akunin's novel 'Azazel' (English title 'The Winter Queen') set in Moscow in 1876. The novel started a long series quite popular in Russia. In 'Azazel' a young police officer - Erast Fandorin - investigates an odd suicide of some rich young man and finds a complex conspiracy, trying to take over most European countries - from Britain to Ottoman Empire - with the best intentions, of course.

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A talk show

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The main character, an official of the 14th grade, Erast Petrovich Fandorin, serves as a clerk in the Detective Department and secretly dreams of becoming a detective. By the will of circumstances, he finds himself involved in the investigation of a mysterious suicide.

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The action takes place on "Like a Radio". The rating of the radio station is approaching zero, the Agency that places ads on its air is suffering losses, advertisers are demanding a change of managers and are going to determine the station's policy themselves, the management staff is really changing, but the new bosses will not blindly obey the instructions of the advertising Agency.

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KVN is a Russian humour TV show and competition where teams compete by giving funny answers to questions and showing prepared sketches. The programme was first aired by the First Soviet Channel on November 8, 1961. Eleven years later, in 1972, when few programmes were being broadcast live, Soviet censors found the students' impromptu jokes offensive and anti-Soviet and banned KVN. The show was revived fourteen years later during the Perestroika era in 1986, with Alexander Maslyakov as its host. It is one of the longest-running TV programmes on Russian Television. It also has its own holiday on November 8, the birthday of the game, which KVN players celebrate every year since it was announced and widely celebrated for the first time in 2001.

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A film by the Irkutsk studio Rec.Production based on the original work by Grishkovets and Bigudi "The Mood Has Improved-2". Music by: Max Sergeev and "Bigudi". Lyricist: Evgeny Grishkovets. Producer: Yuri Dorokhin. Screenplay: Anna Matison. Directors: Yuri Dorokhin and Anna Matison. Camera operator: Andrey Zakablukovsky. Project designer: Denis Kaigorodov. Composers: Margarita and Sergey Karyshev. Assistant: Yulia Konanova. Photo: Alexey Mikheev. Marketing producer: Irina Yutkina.

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