Caroline Monnet

Featuring indigenous women of various generations, Pidikwe integrates traditional and contemporary dance in an audiovisual whirlwind that straddles the border between film and performance, somewhere between the past and the future.

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Mani, a master’s student, returns to the reserve in northern Quebec where she grew up. Her painful past resurfaces. Resolved to reintegrate into the community, she gets involved in the debate around a referendum on allowing the free sale of alcohol on the reserve. Laura, a bootlegger, pockets the profits she makes there under the protection of the band council and her partner Raymond. The latter is still angry with Mani, whom he holds responsible for the death of his daughter in a fire. Opposing forces quickly divide the community into two sides who face each other to determine the best path to independence.

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The Seven Last Words sounds out the experiential states and rituals particular to humanity, based on seven themes expressed in an oratorio: forgiveness, hope, relation, abandonment, distress, triumph, and life after the death.

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In her striking portrait of Chippewa female mixed martial artist Ashley Nichols, Caroline Monnet eloquently demonstrates and celebrates the athlete's inner strength, fortitude, and dedication to her physical and spiritual health.

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A short film exploring the ritual practices among indigenous First Nation tribes in North America.

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Six regal Indigenous women relish in an opulent feast. This dazzling and sumptuous fantasia is a vivid celebration of their majesty and power and a signal of new beginnings.

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Featuring indigenous women of various generations, Pidikwe integrates traditional and contemporary dance in an audiovisual whirlwind that straddles the border between film and performance, somewhere between the past and the future.

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Each day, Jean-Philippe Wauthier welcomes guests on the show in warm, friendly setting. His interviews focus on their newsworthy achievements but also, and most importantly, on their passions, interests and opinions.

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The show explores the impact and evolution of people, issues and events in the province’s history.

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An experimental film that weaves the intimate thoughts of one woman (Ikwé) with the teachings of her grandmother, the Moon, creating a surreal narrative experience that communicates the power of thought and personal reflection.

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Featuring indigenous women of various generations, Pidikwe integrates traditional and contemporary dance in an audiovisual whirlwind that straddles the border between film and performance, somewhere between the past and the future.

Open details →

Mani, a master’s student, returns to the reserve in northern Quebec where she grew up. Her painful past resurfaces. Resolved to reintegrate into the community, she gets involved in the debate around a referendum on allowing the free sale of alcohol on the reserve. Laura, a bootlegger, pockets the profits she makes there under the protection of the band council and her partner Raymond. The latter is still angry with Mani, whom he holds responsible for the death of his daughter in a fire. Opposing forces quickly divide the community into two sides who face each other to determine the best path to independence.

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Housewife and grandmother Roberta struggles to fit the conformist society she lives in and turns to amphetamines to cure her boredom.

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The traumatic events that occur over the period of one night in a Canadian residential school infirmary. In 1930, 8 year old Elizabeth and her infant cousin are taken from their family and quarantined due to a tuberculosis scare.

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Part of a trilogy of experimental documentaries done on South East Collegiate students. South East is a boarding school in Winnipeg for Aboriginal youth coming from the North. This short film recalls the esthetic of traditional Japanese cinema. It portrays a young solitary figure seeking its place in society. His journey from North to the city encapsulates his struggle to become responsible and seek serenity.

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