Takeo Kikuchi

Adapted from the novel short story collection "Yuming Tribute Stories" inspired by the songs of Matsutoya Yumi.

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Two immortals and a woman who repeats re-encarnations, are caught in a curse that has over a thousand years. They meet every 100 years. Sosuke doesn’t know who he is but has recurrent dreams about a woman he has met on a beach. A beautiful love story where the past is intertwined with the present and needs closure.

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With her gloomy demeanor, Sawako has a hard time fitting in. But when an outgoing classmate approaches her, life takes a turn for the better.

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When a successful ad executive who's got it all figured out becomes pregnant, he's forced to confront social inequities he'd never considered before.

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Tokiko’s mother died 20 years ago and her father Tetsuya is now in his 70's. Her father has a free spirit and is cute. Tokiko is in her mid 40's and still single. She has a strong personality. In their past, Tokiko and Tetsuya did not have a good relationship. It got so bad that they almost ended their relationship, but now they occasionally meet. They go out to eat together and have conversations. Tokiko decides to publish an essay about her father Tetsuya. To collect information for her essay, she meets Tetsuya and listens to various stories, but it's not just pleasant memories.

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Sato Yui is a dispatched contract worker at Amagi Pharmaceutical Company. Her pet has died and she feels deep sorrow over its death. One day, she drinks alone at a bar and shouts, with tears running down her face, "Develop medicine to bring back someone to life!" At that time, a man walks towards her. He makes a spiteful remark that there is no such medicine that can bring someone back to life. He also tells her to stop barking and to go home. Yui feels anger within herself and she trips him. She then leaves the bar. Yui is unaware that the man she tripped is Amagi Kyoichi and he is the CEO of Amagi Pharmaceutical Company. The next day, Yui hears at work that the CEO is looking for her. When she gets to his office, she realizes the man she tripped in the bar is the CEO. She thinks that she might get fired, but he suddenly tells her to "Please treat me as a slave."

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Michitaro Sano’s wife passed away 18 years ago. Since her death, he has lived with his daughter Yumiko at their home. Now, Michitaro retires from his work. Yumiko though tells him to start doing housework. Michitaro is also surprised to learn that Yumiko has a boyfriend and is considering marriage. Michitaro is unsure how to handle his sudden abundance of free time. He then attends a local radio calisthenics group session.

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Mutsuko has been living on an island to which her grandmother and mother have restricted her from leaving. To Mutsuko, the symbol of her freedom was Dreamland, an amusement park on the mainland, but she learns it will be closing permanently this year. Meanwhile, Wataru returns to the island after nine years due to a job transfer. A pupil of his deceased father pays him a visit and tells him about a side of his father he did not know about.

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Four former classmates share an apartment in Daikanyama, Tokyo and pursue their own happiness. Arisugawa Fuu works for a design production company and spends most of her salary on fashion, Hada Mizuhois a budding manga artist, Sakuragawa Rio practices psychosomatic medicine, and Enjoji Sayuri works for a Ginza art gallery.

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Hazuki and Aoi are classmates but their relationship outside class is fraught, and outside school non-existent. But when both girls are drawn to helping an elderly woman, they're forced to interact, confronting their differences and similarities as well as their deepest secrets.

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Etsuko (Rinko Kikuchi) was given the post to take charge in the launch of a web media site which specifically deals with the theme “the streets and the town of Tokyo”. So her recent daily routine was to walk around town searching for materials that may be suitable for the plan. One day she runs into a sake barrel stacked in a shrine in Kagurazaka (Shinjuku District, Tokyo), and she finds herself immediately interested in sake and it’s history with the Kagurazaka area. She decides to do a research, and calls photographer and long time friend Ikeda (Yota Kawase), and starts her quest for the secret of the fascinating sake and the historical town. For Etsuko, who had been stressed out by her busy work, her idea of gathering interesting informations and meeting people for her job turned out becoming an exciting journey which eventually leads Etsuko to reconcile with her peaceful heart and mind, which had always been her nature.

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When Fujio, Yoshio and Akiko were children, they saw a fantastic "Ryoumou Deer," but nobody believed them. The three siblings lived in a mountain village.

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Confident that he’s the next great Japanese thespian, Matsumoto Fighter and his manager roam the streets of Shibuya to promote him. When he finds out that up-andcoming indie director Matsunaga Daishi is holding auditions for his latest film, Matsumoto pulls out all the stops to get in. Director Ninomiya Ken began this project as a Borat-esque mockumentary about the desperate measures aspiring actors take to break into show business. But when Fighter and his manager push the limits of their unsuspecting prey a little too far, fiction and reality begin to overlap in disturbing and surprisingly violent ways. Will Fighter finally get his big break, or will his dreams come crumbling down?

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