Dritëro Agolli

After Mato Gruda, a man living in a remote village in the mountains of Albania, steals a cannon abandoned by the German invaders he has to decide whether to use the weapon to support the Partisan resistance or to avenge his family.

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In the first day of liberation, partisan Meke enters the palace where the king used to live.

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On the anniversary of the death of Commissioner Ibrahim Kovaçi, six of his war friends are accompanying his statue to his native village, where a ceremony will be held. During the road, each of them remembers moments related to the life of Ibrahim.

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In 1968, Horizonte Te Hapura, directed by Viktor Gjika, one of the pioneers of Albanian moviemaking, broke new ground. Its subject matter was contemporary, rather than being a historical piece or an action drama set among the partisans of World War II. In the story, a dockworker sees that a crane, a crucial piece of shipyard equipment, is being endangered by a violent storm, and despite considerable danger to himself works to save it. ~ Clarke Fountain, Rovi

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