Rajko Grlić

Predrag Popovic, Goran Markovic, Srdjan Karanovic, Rajko Grlic and Lordan Zafranovic talk about the Russian intervention in Czechoslovakia in 1968.

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We encounter the controversial Croatian film director Lordan Zafranovic in voluntary exile in Prague. The film follows his rise from a talented outsider to the celebrated Yugoslav director of the acclaimed war film, 'An Occupation in 26 Pictures'. His life story is an unconventional depiction of a rise and fall that reveals compromises made in order to survive artistically during communism, as well as the missed opportunities and miscalculations that led to his inability to adapt in later years. Is the charismatic Zafranovic a national traitor or a victim of historical circumstances in which the only thing he wanted to do, in his own words, was to be himself and make films?

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Educator and those educated in a home for juvenile delinquents in the same test: approach, take a peek into his soul to become a man. The story of a minor, neglected boys-offenders and their teachers who try to reject the old methods of rehabilitation.

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Students from the Prague Academy of Film (FAMU) talk about their life in Prague. Filmed in Prague in 1968, a few months before the Russian invasion of Czechoslovakia.

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Maks is a brilliant lawyer who has been serving for years one of Croatia’s most powerful and ruthless businessmen, who made his fortune in the aftermath of the Balkan War. Maks’ latest service has been to have his client declared innocent of the murder of two of his workers for acting in self-defense. But the sudden appearance of a former girlfriend triggers a crisis of conscience in Maks, leading him to confront his employer and risk his life by uncovering a dense network of corruption at the highest level involving all branches of the State.

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A film about a theatre performance and four very notable people behind it: writer and director D. Jovanović, actress M. Zupančič and actors R. Polič and B. Cavazza. This is a story of a love triangle and of a multi-layered, entirely overt intertwining of protagonists’ public artistic personas and their personal lives. The film documents a 4-month process of the making of a theatre piece from the first rehearsal to the opening night, at the same time uncovering the intimate lives of the artists and telling a universal story of the relationship between the real and the imagined, a story of personal and public perceptions of art.

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Four very different people live in the same building but avoid each other because of differences in how they live their lives, what they believe in, and where they come from. They would probably never exchange a word, but misfortune pushes them towards each other. Their lives entangle in ways that profoundly challenge deep-held beliefs and prejudices surrounding material status, sexual orientation, nationality and religion. Slowly, and even painfully, they begin to open up to each other and recognize the essential humanity each of them possesses.

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Nikola is a man who knows how to really enjoy life; he's even able to rouse sympathy for his sinful ways. His brother turns a blind eye to his philandering although, with a broken marriage behind him, he doesn't have a clear conscience, either. Is there anything positive to be said about infidelity, or does it simply deserve the utmost contempt, particularly when it's more premeditated than spontaneous?

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At a small border-post on the Yugoslav-Albanian border, yet another generation of soldiers suffering the usual amount of boredom awaits the end of their service, counting days to the moment when they should take their uniforms off for good. It is the spring of 1987 and the thought never even crosses their mind that they would, in fact, put them back on quite soon and go to war.

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Misadventures of a hapless young man from rural Bohemia who, in 1991, is finally free to cross newly open borders.

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The film Drinking Water and Freedom was made in 1973. It was only one minute long. The review commission for films from Socialist Republic of Croatia prohibited it from public screening. Its sequel, Drinking Water and Freedom II, was made in 1986. It tells the story of the fate of its predecessor and at the same time details what happened with a well and a stone plaque, the objects that had caused its ban. In 1998, Drinking Water and Freedom III was made, a third instalment and a continuation of the story about water, freedom and the well.

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After returning from the Eastern Front to their small Croatian village as veterans of the First World War, Jovan Stanisavljević (nicknamed Čaruga) and his comrade known only as Mali join forces with the gang led by a local bandit and communist revolutionary Boža The Red. After Boža is brutally murdered by law enforcement officials, Čaruga takes over as the gang's leader, turning them into a bloodthirsty troop that won't take no for an answer.

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In the summer of 1944, in a peaceful resort town in the Nazi-occupied Yugoslavia, an easy-going lifeguard takes in a widow of a partisan and her young son. Their relationship grows until he unknowingly saves a Nazi officer from drowning.

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A Croatian guest worker who worked in Germany for many years, builds a house and a workshop for his 20 year old son back in their country of origin. However the son plans to marry his German girlfriend, and doesn't even think of returning to their land.

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Two parallel tales about two modern women. One is Štefica Cvek, average and lonely girl who desperately tries to find the man of her dreams. The other story is about a woman director who is making the movie about Štefica and has the same problem.

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The film tries to capture the spirit of Zagreb, which makes it different from other places. What is shown is usual, everyday stuff, yet new in the life of this city.

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Tomislav is a former Partizan who continues his struggle after the war as a dedicated member of Tito's secret police. He meets and falls in love with a ballet dancer from a bourgeois family. His love affair with the class enemy and his slow adaptation to the post-war realities could seal his doom.

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Momcilo 'Moca' Stojisavljevic has just finished his military service, and is faced with problems like finding a job and a place to live. His old girlfriend is now pregnant and she's about to live with him. Having managed to employ himself in a chicken production factory, Moca becomes fascinated with modern technology, automatism and cybernetics in the plant. By putting 100% of himself into all phases of work and its risks, he exposes his erogenous zones to life and its temptations.

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A young man who long ago gave over the hard work of being a composer for the easy life of a rich man's son is bamboozled into slapping together a musical production. Having borrowed right and left, and plagiarized the works of a friend, he feels cheap, very cheap. He feels even worse when the awful thing is a success.

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A well known theater and movie actor, dissatisfied with his conditions at home and at the theater suddenly stops the dress rehearsal of a play in which he has one of the main roles, and goes on the Danube to visit his friend, a boatman transporting bricks on his small barge from a brick plant in a poor settlement to Belgrade. This unexpected action confuses everyone in the actor’s environment. Everybody sets out to the Danube in order to find out the real reason for the actor’s odd behavior and to find out when he will return to normal life. The actor refuses to talk, stating that he only knows what he does not want! The young director, who had started working on filming a portrait of the actor prior, doesn’t know what to do. The opening night is postponed.

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Grlom u jagode is a 1975 Yugoslavian TV miniseries directed by Srđan Karanović and co-written by Karanović and Rajko Grlić. Depicting the life and times of a young man nicknamed Bane Bumbar, the series achieved huge popularity throughout SFR Yugoslavia. Revolving around Bane, his family, and his circle of friends, the series also portrays 1960s Belgrade, Serbia and Yugoslavia.

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For being unable to find any decent job, an unconventional young man of working-class background gives up of all sorts of employment, and accompanied by his girlfriend, he tells his story in front of film cameras.

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Director of this movie gave an advertisement in many Yugoslav papers calling everybody who wants to act in movie regardless of age, look or profession to reply. From 7000 arrived letters, about 30 heroes were picked up for the movie and its story was made based on what they wished to play.

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A time for sowing and a time for a marriage followed by everyday struggle and change of seasons. Chicken feed on the seeds of plowed fields, man eats chicked, life eats man... In front of a fixed eye the cycle of life evolves.

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Krešo Poskok, a lonely man from a small backwards Croatian village, searches for Lovorka, a woman he had an unforgettable one night stand with fifteen years ago, not knowing that she had gotten engaged to Kapulica, the nearby town's chief of police. Whilst this small town conflict is busy taking place, the challenges Croatia experiances whilst joining the European Union turn the reunion between the two starcrossed lovers into an even more herculean task.

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