Rosa Di Brigida

Four tales unfold in the Eternal City: While vacationing in Rome, architect John encounters a young man whose romantic woes remind him of a painful incident from his own youth; retired opera director Jerry discovers a mortician with an amazing voice, and he seizes the opportunity to rejuvenate his own flagging career; a young couple have separate romantic interludes; a spotlight shines on an ordinary man.

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The young Carabiniere Gatta is sent to barracks in the Naples area. It's 1946 and the war is still hanging in the air even if the small community doesn't seem to have been affected that much by it. Even so, certain suspicions take root in the brigadier's mind. The hotel in the town was the setting for unexplained deaths and crimes that had been covered up. Gatta decides to investigate. Fragments begin to emerge, killers and their victims take shape and speak to each other from different times. There's the hotel owner, a grief-striken mother, a weak son and long-suffering sister, an orphan and two woman who were violently killed. Pain, indifference and shame cast a shadow over everything.

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Geophysicist Dr. Josh Keyes discovers that an unknown force has caused the earth's inner core to stop rotating. With the planet's magnetic field rapidly deteriorating, our atmosphere literally starts to come apart at the seams with catastrophic consequences. To resolve the crisis, Keyes, along with a team of the world's most gifted scientists, travel into the earth's core. Their mission: detonate a device that will reactivate the core.

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The movie portrays the story of an Italian family emigrated in Germany in the 1970s. Romano (Gigi Savoia), the father, decides to open a pizzeria which, by mutual decision with the wife Rosa (Antonella Attili), will call Solino, leaving his sons Gigi and Giancarlo to work there. A hostile relationship comes to life between the father and his sons, which will end up in the escape of the boys from family.

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Sofia and Valerio, both with divided families, learn to know each other during a sultry Neapolitan summer. They are two kids still subjected to their parents' mood swings and generational confusion. While waiting for the holidays and the entrance into a more adult age, they will learn to look at adults with detachment.

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The story of Padre Pio (1887-1968) from the onset of the stigmata during World War I, when he prayed that soldiers' suffering be his, until his death. The story is told by Emilia, Pio's friend, to a Vatican official reviewing Padre Pio's potential canonization. We watch local people venerate the humble Capuchin monk, we see petty jealousies within the Church almost bring him down, and we experience his decision to build a Home for the Relief of Suffering, a labor of love begun just after World War II. Emilia and her husband Dr. Sanguineti work tirelessly beside the humble but sensible Pio.

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Isotta, a poor and overweight girl, works as a seamstress in a popular district of Naples. She spends her time dreaming to escape from the harsh reality.

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Set in the 17th-century, an Italian nobleman weds an impoverished countess, who is wooed by the King of Piedmont and faces pressure from his entire court to succumb to his wishes.

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A woman, who has been the mistress of a man who has just died, thinks about leaving the little Italian village where they lived and moving to another place. An old and rich man offers her a place in his house, however, she will have to listen to him telling his past love stories.

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The exploitation of young men as prostitutes in the district around the Roman coliseum is the focus of Simon Bischoff's documentary and fiction piece that spares no close-up view of male anatomy. This latter trait reveals just as much about the tenor of this film as it does about the body. Several years earlier, Bischoff met the main 17-year-old protagonist here, "Er Moretto," when he was just a 13-year-old runaway. The intervening years show how he changed into a streetwise vendor of sex, and Bischoff also details how the 17-year-old is picked up by a middle-aged man to be his companion. Fiction segments do not fare as well as the documentary aspects of this work, which in the end, seems at least ambiguous, if not questionable, in its intent.

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