Jean-Daniel Ehrmann

Anne and Lore, neighbors and best friends, barely into their teens, board at a convent school where they have taken a vow to sin and to serve Satan. Anne keeps a secret diary, they read a salacious novel, they get a classmate in trouble, they spy on the nuns, they set aside their communion wafers; they make a pact of devotion.

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Melancolie Mau is a lonely woman on the French seaside who falls victim to a horrific rape, but she manages to turn the tables and kill her attacker. She chooses not to tell anyone and dumps the body, but it comes back to haunt her when a U.S. colonel arrives, mysteriously armed with full knowledge about her ordeal. However, he seems to have his own agenda, and it may concern Melancolie's absent husband.

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Fantasy is a favourite theme for directors, since it enables them to give vent to diabolical situations with unlimited licence. This film is of this category. It is the story of a jealous and protective mother who allows her son only home-made dolls to satisfy his sick fantasy. But as in all fairy stories, there comes a day when a real, warm girl enters the sheltered life of the son. His natural and innate thirsts for oddities soon make him repeat on the girl what, until then, he has been doing with the dolls. The story then evolves into a fight of wills between the mother and the girl.

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Jeff is a gangster who's disappeared with a million dollars, and Laurent is looking for him to catch him before the other members of the gang find him.

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Two men, part tramp, part pilgrim, are on their way from France to Santiago de Compostela in Spain. On their way, they meet a vast assortment of characters—some truculent, some violent, and some bizarre; they experience many adventures—some mysterious, some erotic, some even supernatural.

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Paris, 1956. Three sisters, three actresses willing to do almost anything to make it big. Their lives, their loves, their dramas. A savory satire of the world of show business and cinema in particular.

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