Alberto Velasco

Castilla. 1995. Victor is ten years old and loves popular folklore. You know what it means that what you like best in the world (dancing) is what hurts you the most. His mother works tirelessly and also cares day and night for a stepfather who is bedridden but with a very lively, sharp and hurtful tongue every time Victor appears through the door. When Victor dances, he transforms, laughs, dreams, escapes from the reality he has at home. What he could never imagine is that the same violence he received would be his own salvation.

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Carlota has an open war with the caretaker of her community, Candela, whom she considers a person at risk. Carlota did not always know that HIV does not understand social status, gender or sexual orientation, she had to learn it by having it closer than she could ever have imagined.

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Lucía is a woman for whom leading a model life and taking control of her life is the most important thing. Since she got married, she has focused all of her efforts on caring for her family, until achieving what for her is a perfect family. However, her entire world begins to collapse with the arrival of Sara, the girlfriend of her son; a young girl with great freedom and without mincing words who has a very different family from what Lucia always dreamed of as a political family. Now, Lucia must accept that the perfect family was not exactly what she thought.

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A group of actors in Madrid are cast in a theatre show conceived as a dance marathon and as an unscripted competition. ‘Malditos’ follows their drifting between success, failure, fame and self-realization, interweaving non-fiction interventions and staged representations, constantly blurring the boundaries between fiction and reality.

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The most painful loss of Victoria will be the thread of her revenge in an action short that puts violence between men and women on the table from a prism totally opposite to reality. Is the crime a revenge or a victory?

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Four women will have to deal with the problems of their daily lives, while trying to hide a dark secret that will make their whole world reel.

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Carlota has an open war with the caretaker of her community, Candela, whom she considers a person at risk. Carlota did not always know that HIV does not understand social status, gender or sexual orientation, she had to learn it by having it closer than she could ever have imagined.

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