Morten Andresen

Norwegian folklore turns out to be real when Leo and Elvis encounter a girl called Thale in a basement. A regular cleaning job turns into a struggle for survival, while they're trying to figure out what or who Thale is. Could Thale be a huldra? A seductive forest spirit who appears from the front to be a beautiful young woman, but who also has a cow's tale and whose back appears to be like a hollowed out tree. The huldra has been known to offer rewards to those who satisfy them sexually, while death to those who fail to do so and are also prone to stealing human babies.

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A portrayal of how reality is experienced for those who are in coma, and further how the system works in this seemingly macabre and hostile place.

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When is an enemy not an enemy, when is an ally not an ally? The answer to these questions determines the fate of a man. Simons struggle is played out against the rugged landscape of northern Norway. Raised in a close-knit community, he bears the scars of a childhood haunted by rumors. During World War II, the Russians and Americans become a presence in this remote landscape, which will have far-ranging consequences. Victimized by rumor and Norways shifting political allegiances, Simon is denied the final reconciliation he longs for with his community and with himself. When the Berlin Wall falls, his life is once more turned upside down.

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We are in NRK’s Nine O’Clock News studio at Marienlyst. As usual, Kjell Tue is at the microphone, and in the control room, Totto Osvold is at the helm. Bank manager Hugo Oswald is to be interviewed live, but suddenly collapses dead in the studio, poisoned in front of an open microphone. Police detectives Helmer and Sigurdson are assigned to the case. Pensioner Brockmann, the murdered bank manager’s neighbour, also becomes heavily involved in the investigation.

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Robert Lund (Roy Bjornstad) is a weary man, and his days as a starring saxophone player seem to be near their end. The Nazis have occupied Norway for some time, and he has been passing the time by telling his son Bobby (Erik Andersson) some tales of his previous exploits.

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Viveca is 31, divorced, and has a son of 6 years. She and her friend Aud have left the hectic everyday life and moved in with bohemians and artists. We follow these two women for five days, as they come in contact with many different people.

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