Barry Barclay

A documentary about the threat posed to New Zealand's Kaipara Harbour by rapacious commercial fishing and development.

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This remarkable film traces the final impact which both races had on the indigenous Moriori of the Chatham Islands. Moriori were a peaceful people who vowed never to take up arms against another human being. They were capable of defeating the invaders, but chose not to. Drawing inspiration from Michael King's seminal book Moriori, The Feathers of Peace brings the truth about what happened on the Chathams to an even wider audience. To do that, the film uses modern television news techniques and dramatized documentary.

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A hundred years after the theft from New Zealand of three irreplaceable tribal carvings, two members of a Māori tribe decide it's time for ancient grievances to be put right. Variously praised as a major step forward in indigenous cinema, attacked for overambition, and little screened, Te Rua marked Barry Barclay’s impassioned follow-up to his acclaimed debut feature Ngāti.

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Set in and around the fictional town of Kapua in 1948, Ngāti is the story of a Māori community. The film comprises three narrative threads: a boy, Ropata, is dying of leukaemia; the return of a young Australian doctor, Greg, and his discovery that he has Māori heritage; and the fight to keep the local freezing works open.

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In a Maori settlement, Ngati Toa leader Te Rauparaha composes the famous chant "Ka Mate", also known as the haka, after evading enemy capture by hiding in a kumara pit.

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Indigenous farmers in Peru, Nicaragua, Italy, France, Australia and New Zealand share their intimacy with the land and the seeds they have nurtured for generations; global corporations attempt to 'own' the intellectual property of seeds.

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Documentary Hautoa Mā! The Rise of Māori Cinema reveals the remarkable impact Māori have made on New Zealand cinema.

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Barry Barclay was a New Zealand/Aotearoa director of documentaries and feature films. He is regarded as one of the world's first, and very influential, Indigenous film makers. The film The Camera on The Shore is a feature length introduction to Barry, and to his film making.

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A documentary about the threat posed to New Zealand's Kaipara Harbour by rapacious commercial fishing and development.

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This remarkable film traces the final impact which both races had on the indigenous Moriori of the Chatham Islands. Moriori were a peaceful people who vowed never to take up arms against another human being. They were capable of defeating the invaders, but chose not to. Drawing inspiration from Michael King's seminal book Moriori, The Feathers of Peace brings the truth about what happened on the Chathams to an even wider audience. To do that, the film uses modern television news techniques and dramatized documentary.

Open details →

A hundred years after the theft from New Zealand of three irreplaceable tribal carvings, two members of a Māori tribe decide it's time for ancient grievances to be put right. Variously praised as a major step forward in indigenous cinema, attacked for overambition, and little screened, Te Rua marked Barry Barclay’s impassioned follow-up to his acclaimed debut feature Ngāti.

Open details →

Indigenous farmers in Peru, Nicaragua, Italy, France, Australia and New Zealand share their intimacy with the land and the seeds they have nurtured for generations; global corporations attempt to 'own' the intellectual property of seeds.

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Actor Martyn Sanderson returns in 1977 to the Hokianga of his youth and visits his elderly and romantic aunt, Olive Bracey. Her reminiscences of pioneer life mesh with nostalgic songs and readings from her fiction.

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