Giuseppe Verdi

The former corsair Simon Boccanegra has risen to power in Genoa but carries the burden of personal loss and old rivalries. He is unexpectedly reunited with his long-lost daughter, and their renewed bond becomes entangled with conflicts involving noble families, love and revenge. Simon struggles to preserve peace in the city while protecting those closest to him. Can he overcome betrayal and reconcile the forces tearing his world apart before it is too late?

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Maestro Riccardo Muti returns to the podium of the Orchestra and Chorus of the Teatro Regio di Torino for a new production of *Macbeth* directed by Chiara Muti. Set design by Alessandro Camera and costumes by Ursula Patzak.

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From Venice's Teatro La Fenice, the traditional New Year's Concert conducted by Maestro Michele Mariotti, featuring arias, duets, and choral pieces performed by soloists Rosa Feola and Jonathan Tetelman. The event will be enhanced by dance performances by étoiles Eleonora Abbagnato and Friedemann Vogel.

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Attila, the King of the Huns, has conquered the strategically and economically significant Italian city of Aquileia during his campaign of conquest. Admiring the bravery of Odabella, a duke's daughter, Attila spares her life and presents her with his sword. But she swears bloody revenge for his conquest of her city. When she prevents an attempt on Attila's life by her former lover Foresto, which he has planned with the Roman general Ezio, she finally wins the Hun's trust. But has she abandoned her murderous plan?

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Accompanied by the chamber music ensemble CHAARTS, the soprano and tenor perform arias and duets from works by Mozart, Verdi, Puccini, Gounod, and Bizet. All in the open air, in the courtyard of Neuschwanstein Castle.

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A tale of thwarted love and mistaken and assumed identities, this comedy revolves around an ordinary man becoming ‘King for a Day’. Cavaliere di Belfiore has, to distract attention from the genuine monarch, assumed the identity of King Stanislas of Poland, and arrived with much pomp at the castle of Baron Kelbar near Brest. There he finds himself in the middle of preparations for two weddings: the baron's daughter Giulietta is, most unwillingly, to marry the elderly La Rocca, while a local military official is hoping for the hand of the Marchesa del Poggio. Can ‘King Stanislas’ use his regal power in time to disentangle these unhappy betrothals before his true identity is revealed?

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Deceived by a “fake news” conspiracy, Shakespearean hero Otello is driven by jealous rage to murder his innocent wife Desdemona.

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Soprano Angel Blue makes her long-awaited Met role debut as the Ethiopian princess torn between love and country, one of opera’s defining roles.

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In Lithuania, soprano Asmik Grigorian and tenor Dmytro Popov join forces with the Kaunas Symphony Orchestra for a high-profile opera concert at the city's St. Peter and St. Paul Cathedral. The programme features excerpts from works by Verdi, Bellini and César Franck.

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The Deutsche Kammerphilharmonie Bremen, conducted by Omer Meir Wellber, takes over Neuschwanstein Castle in southern Germany for a lyrical concert featuring soprano Golda Schultz, tenor Rolando Villazón, and baritone Ludovic Tézier. In this grandiose building constructed by Ludwig II of Bavaria, the prestigious trio performs works by Mozart, Verdi, and Lehár.

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Taking a classic opera and turning it on its head, Karin Henkel, a leading director in contemporary German theatre, offers a new interpretation of Verdi's masterpiece. In a world dominated by men, where women are exploited and history repeats itself, she explores the fate and sacrifice of a 19th-century heroine through a contemporary female perspective.

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The Vienna State Opera celebrates the 80th anniversary of the Second Austrian Republic in the Burggarten gardens and offers a preview of the 2025–2026 season. The programme features the prestigious voices of Elīna Garanča, Jonas Kaufmann and Benjamin Bernheim, among others, with the Opera Orchestra conducted by Bertrand de Billy.

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The Youth Orchestra - Luigi Cherubini conducted by Maestro Riccardo Muti performs the Symphony from “I vespri siciliani” by Giuseppe Verdi the “Symphony No. 4” in A major ‘Italiana’ op. 90 by Felix Mendelssohn-Bartholdy and the “Symphony No. 5” in C minor op. 67 by Ludwig van Beethoven.

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On the eve of the 1990 World Cup final, Plácido Domingo, José Carreras, and Luciano Pavarotti sang together for the first time. A look behind the scenes at a musical event whose phenomenal success lasted for more than a decade.

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To elevate a jester to a tragic stature comparable to a Macbeth or a Lear is no easy feat. The dramatic essence of Shakespeare runs in the veins of this Rigoletto, although the story is based on the controversial Le roi s’amuse by Victor Hugo. While the play was prohibited in France for more than fifty years, Verdi himself fought with the censors who initially prevented the publication of his opera. Multi-faceted, perhaps more than any other opera by Verdi - tender, cruel, interspersed with remarkable strokes of black humour -, Rigoletto is also a heart-wrenching study about the love between a parent and a child. Given the helplessness of a woman in the face of a group of men, Teatro Real’s production, which is directed by Miguel del Arco, also considers society's concept of masculinity. Nicola Luisotti conducts some of the great voices of our day, including Javier Camarena, Ludovic Tézier, Marina Viotti and Adela Zaharia.

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Massive ensembles. White hot arias. The dark recesses of the mind. Verdi’s adaptation of Shakespeare’s smoldering tragedy is a riveting exploration of power, corruption, and freedom. Meet opera’s most power-hungry couple: Macbeth and his Lady. When they’re caught in a murderous plot to claim the Scottish throne, their manic greed for control has no end. Verdi wrote this powerhouse during Italy’s independence movement, and it soars with themes of political corruption, tyrannical rule, and liberation of the people. Macbeth takes audiences through a gripping tale of ambition and scandal, from the first note to the spectacular closing chorus. As the chilling finale approaches, ghosts of the past lurk in the shadows. Power unchecked comes at a cost; what can stop its bloody path of destruction?

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Production of the Vienna State Opera, October 2024. Inspired by a visit to the Kyoto Costume Institute in Japan, director Kirill Serebrennikov brings the plot of Don Carlo into a contemporary context. He was also inspired by this institute for his stage design - after all, original objects from all eras and cultures are kept there and prepared and stored accordingly to protect them from decay.

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Ten years ago, the ‘Hannover Klassik Open Air’ was launched under the motto ‘Opera for everyone’. A success story that has lost none of its charm to this day. This anniversary show presents highlights from past open-air concerts with new international singing stars in Hanover's illuminated Maschpark.

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The success of Verdi’s third opera, a stirring drama about the fall of ancient Jerusalem at the hands of Nebuchadnezzar (Nabucco), catapulted the 28-year-old composer to international fame. The music and Verdi himself were subsumed into a surge of patriotic fervor culminating in the foundation of the modern nation of Italy. Specifically, the Chorus of the Hebrew Slaves ('Va, pensiero'), in which the Israelites express their longing for their homeland, came to stand for the country’s aspirations for unity and that exciting era in Italian history, the Risorgimento, or 'Resurgence'.

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While performing Richard Strauss’s *Four Last Songs* in Salzburg, soprano Asmik Grigorian reflects on her special connection to the Austrian festival.

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As part of the Viva Verdi initiative organized by the Ministry of Culture, the Teatro Comunale di Bologna presents an evening dedicated to the masterpieces of Giuseppe Verdi at the Comunale Nouveau venue. Conducted by Daniel Oren.

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Mezzo-soprano Lea Desandre and lutenist Thomas Dunford perform Monteverdi, Frescobaldi, and Handel in this musical exploration of the Renaissance in the Lombard city.

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Live from Bologna, a concert featuring the finalists of the 29th International Composition Competition, held in memory of the victims of all massacres. Maestro J. Santonja conducts the Teatro Comunale Orchestra in a performance of the three finalist pieces. This will be followed by G. Verdi’s Requiem Mass, conducted by Maestro D. Renzetti.

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Under the baton of Kirill Petrenko, the Berlin Philharmonic Orchestra's traditional New Year's Eve concert brings you an enchanting programme led by star tenor Jonas Kaufmann. A delightful medley of Verdi, Prokofiev, Nino Rota, Tchaikovsky and more.

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The 2022 Don Carlo at the Teatro di San Carlo, staged by Claus Guth, offers a contemporary, psychologically driven interpretation of Verdi's opera. Set in minimalist, stark environments, the production explores themes of power, betrayal, and inner conflict. The cast features Matthew Polenzani as Don Carlo and Ailyn Pérez as Elisabetta di Valois, both delivering compelling performances. Conducted by Juraj Valčuha, the production combines modern staging with the emotional depth of Verdi's score, providing a fresh perspective on the classic work.

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Soprano Nadine Sierra stars as the self-sacrificing courtesan Violetta—one of opera’s ultimate heroines—in Michael Mayer’s vibrant production of Verdi’s beloved tragedy. Tenor Stephen Costello is her lover Alfredo, alongside baritone Luca Salsi as his disapproving father and Maestro Daniele Callegari on the podium.

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On March 15, 2022 at the Berlin Philharmonie, the Deutsches Symphonie-Orchester Berlin conducted by Alan Gilbert gave a concert in solidarity with Ukraine. With the participation of violinist Lisa Batiashvili, singers Rolando Villazón and Max Raabe and pianist Kirill Gerstein.

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From the Politeama Theater in Catanzaro, a concert dedicated to Renata Tebaldi. The Calabria Philharmonic Orchestra, tenor Dario Di Vietri, and soprano Daria Masiero, conducted by Maestro Filippo Arlia, perform works by Puccini, Mascagni, Verdi, and Donizetti.

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Riccardo Muti guides the audience through Giuseppe Verdi’s sacred composition, accompanied by the Luigi Cherubini Youth Orchestra, where the audience will have the opportunity to immerse themselves fully in this great music and experience first-hand all the preparatory stages of the concert, right up to the final performance of the work.

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When a sharp-tongued court jester Rigoletto is cursed for his spiteful words, he is forced to hide his unworldly daughter Gilda from his own licentious master the Duke. For Verdi’s wonderful ambivalent hunchback, paradise is the peaceful home and family that he struggles to protect.

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As Aragon descends into unrest, a count jealously fights for a noble lady's heart. But she has already given it to a passionate troubadour whose mother holds a terrible secret.

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With “Opera in the Embassy,” a bridge between France and Italy, a new opera season begins. French and Italian arias will be performed by young artists from the Fabbrica-Teatro dell'Opera di Roma and the Académie-Opéra national de Paris in an exceptional concert at Palazzo Farnese and the Hôtel de la Rochefoucauld-Doudeauville.

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The captivating story of a Russian Jewish filmmaker working during the height and collapse of the Soviet Union. In this autobiographical documentary, Peter Mostovoy takes us on his journey from impoverished childhood to award-winning filmmaker. Naively believing that his art could be free from demands of the regime, Mostovoy nevertheless became entangled in the absurdity of Soviet-era politics as an “untrustworthy” Jew. The Red Scarf is a smart blend of animation, archival footage—including clips of Mostovoy’s films—and a healthy dose of humour.

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