Elaine Mitchell

Eleanor seems normal enough to her parents and teachers. Why then has she disappeared?

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A British play about homelessness by Jeremy Sandford, writer of "Cathy Come Home", first broadcast as a BBC Play For Today. It details the deterioration of Edna, a homeless alcoholic and was made at a time when vagrancy was still a criminal offence.

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When it's time to wet the baby's head, it's surprising the secrets that emerge...

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Play for Today is a British television anthology drama series, produced by the BBC and transmitted on BBC1 from 1970 to 1984. During the run, more than three hundred programmes, featuring original television plays, and adaptations of stage plays and novels, were transmitted. The individual episodes were between fifty and a hundred minutes in duration.

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Nearest and Dearest is a British television sitcom that ran from 1968 to 1973. A total of 46 episodes were made, 18 in monochrome and 28 in colour. The series, produced by Granada Television for ITV, was set in Colne, Lancashire, in the North West of England. Nellie and Eli Pledge may be siblings, but their personalities are polar opposites. If not for inheritance, they would never even think of becoming business partners for five years.

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Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

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Accepting the potentialities of the medium to manipulate both time and space, Broughton brings past and present head-on as he regards with adult feelings his childhood family and friends. Grown-ups romp like children, and by their magnified infantilism playfully underscore such basic traits as sadism, sensuality, arid egocentricity. (Melbourne International Film Festival)

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