Aure Sánchez

A group of urbanites flee the city for different reasons: existential, economic crisis, need for fresh air, search for peace, inspiration to compose ... The intention of these strangers is to settle in an abandoned town and start their lives from scratch, but when they arrive they discover that there are still some neighbors: rural people with a very different way of seeing life.

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Yo soy Bea is a Spanish television comedy-drama series which aired on Telecinco from 10 July 2006 to 16 August 2009. The series is an adaptation of the popular Colombian telenovela Yo soy Betty, la fea. Ruth Núñez played the title role of Beatriz "Bea" Pérez Pinzón and Alejandro Tous played Álvaro Aguilar, Bea's love interest. Yo soy Bea translates to "I am Bea"; it is a pun, with "Bea" sounding like bella, meaning pretty, and like fea, meaning ugly. The Spanish adaptation screened weekdays during the daytime and pulled in, on average, over four million viewers. The series' record is a 42,1% share. It was Spain's top rated daytime programme.

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The movie is set around a small group of characters experiencing relationships which build and crumble before the viewers eyes. The title of the film refers to the belief, expressed by several of characters, that the goldfish retains a memory of something for only three seconds. Tom, one of the principal characters in the film, draws comparisons between this and the human tendency to jump from one relationship to the next, "forgetting" the pain that any previous one might have caused. The film shows complexities involved in straight, gay, lesbian, and bisexual relationships.

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Graying Spaniard Daniel has a healthy budget for indulging in the finer things in life. Daniel's favorite luxury is playing sponsor to younger men amid the lights and sights of Madrid's gay club scene. After Daniel shares a night with handsome Bulgarian emigre Kyril, he finds himself consumed with an insatiable lust for the charismatic foreigner. But, as their relationship takes shape, Daniel's latest conquest reveals his own manipulative tendencies.

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Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

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Follows the professional and personal lives of the staff of the fictitious Hospital Central in Madrid.

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