Siegfried Breuer

Remake of the 1931 film The Man in Search of His Murderer.

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An Italian-German crime film. One of Maria Montez's last films.

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Amore e sangue (released in the U.S. as "City of Violence"), the 1951 Marino Girolami (billed as "John Wolff") West German/Italian romantic action adventure war thriller.

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Theo Müller and his family inherit a vintage car that turns out to have a wayward mind of its own, fixing the family troubles and some romances with a series of guardian angel and/or matchmaking shenanigans.

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Gabriele is engaged to Rainer who goes to war in 1914. When her father loses all his money she agrees to marry the affluent Robert. Then she is notified that Rainer has been wounded, is dying and has asked to see her one more time.

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Gabriela once a famous singer who enjoyed great success. She married, had a daughter Andrea, but pursued her career. Now that Andrea has matured into a young woman, Gabriela is overwhelmed by maternal remorse.

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Several murders in the eerie atmosphere of an abandoned factory site are solved by a clumsy detective assistant.

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In order to impress a socially superior woman with money, an unsuccessful insurance agent commits sophisticated fraud: he concludes contracts with fictitious people and collects the insurance sums after their "death". However, his first fictional persona is his downfall.

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Klementine Plamershof is a fun-loving young woman. She has long been “confined” to a girls’ boarding school, where she is studying music with growing reluctance.

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In postwar Vienna, Austria, Holly Martins, a writer of pulp Westerns, arrives penniless as a guest of his childhood chum Harry Lime, only to learn he has died. Martins develops a conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from British officer Major Calloway, and falling head-over-heels for Harry's grief-stricken lover, Anna.

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Just as the equally renowned lawyer Dr. Bratt is about to close his practice to go on a well-deserved summer vacation, a man suddenly appears before him and claims that he cannot wait under any circumstances. Benno Paradis wants a divorce, and he wants it as soon as possible.

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In 1900, the pianist Radofsky seduces singer Anni in Vienna. Twenty years later, he runs into her again … with her daughter.

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The film tells the story of a young Jewish woman who, during the Nazi era, is hidden by her friend, treated in a hospital using her identity papers, and dies there. As a result, her friend loses her official identity. For the first time, the question of the behavior of friends, neighbors, caretakers, and strangers during the persecution of Vienna's Jewish population is raised. Ostensibly, "The Other Life" is a gripping play on identity, but overall, it is an astonishing demonstration of the civil courage of Alexander Lernet-Holenia (1897-1976), who, shortly after the war, addressed the then-taboo subject of the persecution of the Jews in his literary work. The ambitious film studio of the Theater in der Josefstadt, which did not last long, took up the material and filmed it with the theater's actors.

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Theater director Falke, dressed as a bat, ends up in prison after a merry carnival night. Director Frank only releases him after some time. Falke decides to take revenge on his friend Gabriel von Eisenstein, to whom he owes the whole affair. The annual masked ball at Prince Orlofsky's provides the opportunity. Falke stages a game of mistaken identity in which Eisenstein does not recognize his own wife and courts her, while maid Adele appears as the countess. Eisenstein is duped, Falke has taken his revenge.

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A wealthy man murders his wife, then marries a young woman who becomes suspicious of him.

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The emergency braking of the Orient Express causes chaos. When the lights are switched back on, lawyer Branko is found murdered in his compartment. The Rarna Criminal Investigation Department starts investigating immediately. There are several suspects: Baron Hübner and his divorced wife, the seemingly too staid private detective Holzer and the mysterious Vera Panaid. Suddenly, the mysterious case takes a surprising turn...

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Nora and Stefan fall in love with one another after an accident takes place, but then end up losing sight of one another later on. Stefan ends up saving the life of young Christine and becomes her fiancée. Christine, however, is Nora’s daughter (can’t see where this is heading, huh?). When Christine finds out that mom and her hubby-to-be had a rather intimate history, she takes a boat ride on a stormy lake. But the prophecy of disaster associated with the bronze figure “Melusine” does not come to pass: Stefan looks for Christine, finds her in one piece and stays with her. Nora, for her part, decides incest might be a bad thing and gives up Stefan forever to go back to the man she divorced (hey, way to feel wanted!). For some reason, the Nazis didn’t like the plot’s moral message and banned it after its completion.

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The Viennese seamstress Gabi Berghofer wants to marry an innkeeper. But he marries someone else. Gabi then becomes a model for a painter, who falls in love with her. She spends some wonderful time with him, but he, too, leaves Gabi to return to his family. Desperate and deserted, Gabi stands before the gravestone of the young artist Gabriele Dambrone, who took her life due to heartache. Then she decides to once more take her life in her own hands and to make her old dream of becoming an actress come true.

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A grieving husband tries to uncover the truth behind his wife's suicide, leading him to discover a tragic tale of infidelity and redemption.

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