Francisco Hernández

A Mexican couple out fronts different situations on their way to making a movie in Humboldt County. On their journey they question themselves about destiny, signals, independent filmmaking, will; and they represent their thoughts and learnings in musical and psychedelic sequences, dreams and spontaneous words and phrases that construct these wonders and seekings of their minds.

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A dog who strives to become a man seeks a woman who will love him enough for the transformation to take place.

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Upon returning to their countryside cabin one day, Kaya, his wife Helen, and their daughter Naomi are confronted by two suited men: representatives of the San Francisco Remigration Program. The men explain that San Francisco is now occupied entirely by the wealthy class. But stoplights still burn out and trains occasionally jump their rails. Blue-collar labor isn't obsolete, but it's scarce. The city has created a program to "remigrate" long-gone working class families from their inland homes back to the city that once pushed them out. Kaya, Helen, and Naomi return to San Francisco and join a handful of other potential remigrants for a tour of what can be expected in their new lives. But can they learn to trust their old home once again?

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