N.U. Unruh

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Blixa Bargeld (born Christian Emmerich) is a German-born musician active in a number of artistic fields. He is best known for his studio work and live performances with the groups Einstürzende Neubauten and Nick Cave and the Bad Seeds. In the center the front singer of this busting sound event – one of the most dazzling personalities in the history of German music: Blixa Bargeld. Nobody else embodied the 1980ies West Berlin punk attitude more than him. Nobody was so over the edge, so demonic and at the same time so inventive. Blixa Bargeld is mainly known for being the mind and front singer of Einstürzende Neubauten, although he is a multi-talent and has never restricted himself to being only musician. Portrait for ZDF/arte series "Mein Leben"

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Recorded live in Berlin, 4th November 2004

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Seele Brennt is a documentary on the band. It is also known as: 'Hor mit Schmerzen'. It was televised on ZDF / arte celebrating 20 years Neubauten. It has many previously unseen-unheard footage and recording

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Along with Can and Kraftwerk Einstuerzende Neubauten are amongst the most important bands to come out of late 20th Century Germany. 'Listen With Pain' is a documentary celebration of their twentieth birthday shot by long time fans and filmmakers Christian Beetz and Birgit Herdilitchke. A candid investigation of the strange often controversial career of Einstuerzende Neubauten the band reveal much about their inspirations and interpersonal relationships creating a wholly satisfying and highly entertaining portrait of a unique and highly innovative phenomenon.

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Performance conceived by Erich Wonder & Heiner Müller for the 300th anniversary of the Akademie der bildenden Künste in Vienna. The band, Einstürzende Neubauten, is located on a glass palace/stage on wheels (accompanied by the slavish trotting of huskies) which is slowly moving on the nightly ring road of Vienna.

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A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.

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A voyeuristic panorama of a specific moment in the German independent music scene.

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