Beppo Seidler

The deceased owner of a medieval castle stipulated the following in his will: The heir to his mighty estate would be the elder of the two stepsisters, Katharina and Margrit von Kronberg, namely Margrit, if she married Heinz Wagner, a cousin who had just returned from captivity. When Margrit observed Katharina and Heinz rendezvousing at a nearby lake, Margrit demanded that her husband leave the castle immediately, before she, the elder sister, and Heinz were married. Furious, Katharina then plotted to poison Margrit. Only when Katharina dreamed that the village youth would avenge Margrit's violent death according to ancient tradition and that she, Katharina, would be burned on a pyre like witches in the Middle Ages, did she, after awakening from this nightmare, abandon her bloody plan. Her change of will is rewarded: Heinz has decided to marry Katharina and not Margrit.

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Remake of an Ernst Lubitsch silent comedy, about a farm boy who is fond of two sisters, one of them beautiful, and the other, not so much.

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Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.

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After winning the lottery young draftsman Erich decides to quit his job and enjoy his riches on a big scale, thus alienating his bride, his grandmother and his friends. Soon con men try to swindle him out of his money.

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