Stanislav Hájek

Loosely inspired by a real criminal court case. It took place in Prague and the Tatra Mountains between 1926 and 1928 and was later described as one of the biggest, if not the biggest, cases the pre-Munich Republic had ever seen. Nevertheless, the police and judiciary at the time failed to clarify and close the case in such a way that it would not raise legitimate questions long after the trial had ended. Even though the court handed down its verdicts, the case remained open in a way, and this is also reflected in the script, which remained faithful to the facts in its basic outline," says screenwriter Václav Šašek, author of the two-part television production The Trial of the Martyn Murderers...

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The deportation of 4000 Jews from Budapest to Auschwitz in July 1944, as told by George Tabori, and how the narrator’s mother escaped it, owing to coincidence, courage and some help from where you’d least expect it.

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This international co-production, shot at Barrandov Studios with international cast including Czech actors is an attempt to create a sci-fi fantasy in the tradition of Star Wars and Star Trek. Sometime in the distant future, several earthlings turn up on a strange planet ruled over by a despotic ruler with magic powers. A young earth-man initiates a successful uprising.

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The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.

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A tragicomic story about the "hug" that all the characters long for, especially sociologist Oskar, an indecisive loser whose daily bizarre encounters with old people in nursing homes lead to feelings of futility, emptiness, and loss of vital energy, which reinforce his refusal to bring a child into this meaningless world. However, his wife's desire for motherhood grows.

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The time is 1945-46. 10 year old Eda and his friend Tonda live in a small village outside Prague. In school, their class is so wild and indisciplined that their teacher quits and is replaced by the militant Igor Hnidzo. He is very strict – but also very fair. His weakness though, is his interest in young women.

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At the beginning was the Slovak television series Lekár umierajúceho czasu (Doctor of Dying Time), dedicated to the Rudolphine-era scientist Jan Jesenius. He ended up on the scaffold along with other gentlemen after losing the anti-Habsburg uprising. When director Miloslav Luther conceived the idea of making an abridged version of the footage for cinema, he had to not only rebuild the storyline but also dub it into Czech. However, the result was only an illustrative puzzle, describing the various stages of the hero's turbulent life.

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A young teacher is sent to a rural reform school, where he is faced with brutality of the inmates.

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Helenka, a textile industrial student, invents an ideal man who is the envy of all her friends. The dreamy and delusional Helenka resists her complexes with an imaginary lover, her more realistic friend Zuzka would also prefer the dreamy Patrik, but in the end she will probably be happy with the less ideal Honza, and the self-confident vulgar nymphomaniac Sylva flies from one lover to another like a butterfly, finally as she was the only one waiting for her dream Patrick.

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A coming of age drama about a young boy Jirka who lives in Prague.

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Josef Laufer portrays Egon Erwin Kisch in two daring journalistic adventures: in “Zuřivý reportér,” Kisch goes undercover in a poverty lodging house, uncovers a tattoo’s dark backstory and deciphers a secret telegram hinting at war via the legend of the black rose; in “Lovci senzací,” he pursues sensational leads and exposes hidden truths, proving why he was rightly called “the raging reporter.”

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A directors autobiography about his debut during the rise of socialism.

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An elderly tailor strangles young women with a black stocking. Inspired by a true crime.

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Why? (Czech: Proč?) is a 1987 Czechoslovak drama film directed by Karel Smyczek. It was screened in the Un Certain Regard section at the 1988 Cannes Film Festival. The film deals with the hooliganism in Czechoslovakia, particularly with the fans of football club Sparta from Prague, whose supporters were the pioneers of the football fan riots in Czechoslovakia, starting with hooligan actions already in the 1960s, like breaking the trains in which they travelled when they went on Sparta's away games. The film deals with one of such episodes

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Dorota, a bad woman married the miller, out of sheer greed drives him to death. She then took the mill away from his son Peter and threw him out of the hime. Lucifer, who is known to rule in hell, sends out the devil Janek. He is supposed to fetch Dorota because the measure of her earthly sins is overflowing. But the devil himself can not handle this evil woman and flees to the military. There he meets Peter. By joining forces, they finally succeed in transporting the wicked Dorota to hell. Since then hell is hell. But for Peter, who is suddenly in possession of a magic mantle, begins a nice time, because strangely, the prince shows great interest in him.

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A story about a young medical school student and his adventures.

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The construction of a gigantic facility such as the Dukovany nuclear power plant requires only the most capable experts. Such is the engineer Hlaváč, who has been involved in the project from the very beginning as a construction manager. He has to deal with many problems, especially the lack of manpower. He is unfairly demoted to a lower position due to the intrigues of his subordinates and the alibi of the management, but time proves him right and by the time the plant is inaugurated, he is once again the main manager. But the demanding job takes its toll, his heart cannot withstand the frantic pace of work...

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Saxony, devastated by the Thirty Years' War, is led by the comedy troupe of the principal Fortunato. The student Vavrinec has fled Bohemia and greatly values the text of Shakespeare's tragedy Romeo and Juliet, which he has acquired on his wanderings around the world.

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Series about the life of Renaissance anatomist, scholar and politic Johannes Jessenius. Already legendary series today, was produced by Czechoslovak Television Bratislava, directed by Slovak director Miroslav Luther in the first half of 80's in Barrandov Studios in Prague. The story and screenplay of the series wrote Czech writer Vladimír Körner. Five-episodes epic historical narration is a biographical story of distinguished Renaissance scholar, anatomist and politic of Slovak origin, Johannes Jessenius (Ján Jesenský, 1566–1621). It displays his life from the first studies and successes. In 1594 he became professor of surgery and anatomy on Wittenberg University, which he had attended years before. From that moment, his life went through social and personal wins and losses, to the sad end on the Prague Old Town Square gallows, among 27 noblemen, knights and burgenses, after lose Bohemian Revolt in 1621. His destiny was coupled with key events of Czech history in the break of 16th and 17th century, when Renaissance and European humanism slowly fade out.

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The unlucky cultural officer of a spa facility gets involved in compromising situations against his will - and he was originally only after a recommendation to study at an art school.

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During the First World War, the crooks Scholef and Krumka sell weapons on the black market. After the collapse of the monarchy they try their hand at speculation on a grand scale.

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On the outskirts of Weimar, Edouard and Charlotte, an aristocratic couple united after both becoming widows, invite two guests to their home: a childhood friend of Edouard's called the Captain, and despite Charlotte's ominous premonition, Ottilie, Charlotte's beautiful and orphaned niece...

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Ten-year-old David joins a sailing club. He trains hard and helps repair the sailing boats, but people have to take turns actually sailing. The club chairman Vala wants David to sail with his son Olda. Olda's previous team mate Béda has grown too fast, but with little David Olda could win a place on the regatta to Finland. Olda is arrogant and accustomed to winning with little effort; he bullies David and calls him "Greenhorn". He makes David his servant and blames him when things go wrong.

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How it will end? Let's just tell you that on one side of the mountain, the stream that had run before it dries up, and on the other side of the mountain, the creek starts to breathe.

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