Søren Kragh-Jacobsen

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Danish film has never felt stronger on the international stage than it did with the Dogme films, which at the world premiere of 'The Party' and 'The Idiots' during the Cannes Film Festival in 1998 put Denmark on the film world map. Another eight films under the strict Dogme rules followed and created great international careers for several of the talents in front of and behind the handheld camera. Thomas Vinterberg, Søren Kragh-Jacobsen, Paprika Steen, Ulrich Thomsen, Trine Dyrholm, Iben Hjejle, Anders W. Berthelsen, Lone Scherfig, Sonja Richter and many more of the country's greatest filmmakers look back on when Denmark became Dogme.

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The filmmakers who created the Dogme Manifesto reflect, argue, and watch clips of their own films.

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The Name of this Film is Dogme95 is an irreverent documentary exploring the origins of Dogme95, the most influential movement in world cinema for a generation. The film tells how a 'brotherhood' of four Danish directors armed with a radical Manifesto, has inspired, outraged and provoked filmmakers and filmgoers the world over. The rules of Dogme95 take filmmaking back to its brass-tacks - stories must be set in the here and now; the films must be shot on location, with a handheld camera, using natural light, and direct sound; the rules forbid murders and weapons (staples of the much-loved action-movie genre); and, most amusingly, the director must not be credited (that holds also for the director of The Name of this Film is Dogme95...).

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Shot in Denmark in 1999, the documentary features exclusive interviews with the creators of the filmmaking movement Dogma 95: Lars von Trier, Thomas Vinterberg and Soren Kragh-Jakobsen.

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The story is centered on the stubborn farmer Ernst and his wife Louise who are celebrating their 50th anniversary with a traditional Danish gold wedding for friends and family. However, the family carries several secrets and Ernest holds on to the biggest one of them all. Through one long joyous, intoxicating, surprising, gripping and melancholic night, the truths creep out and the family is put to the ultimate test.

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Helen, a priest, is approached by scientist Lisbeth with a desperate plea for help. A young man, who has been sent to a high security psychiatric ward after having killed an old couple, has attempted suicide while rambling about God. Having been part of an experiment attempting to humanize inmates by assigning them pets, the young man has suddenly gone ballistic. Fearing that he will attempt suicide again priest and scientist must now confront their mutual animosities while trying to grasp the truth. In a race against time the two women begin a shocking journey deeper and deeper into the sick mind of a young man's soul.

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Skagerrak is the story of being hit by happiness when you least expect it. In their late twenties and tired of partying their way around the world, Danish Marie and Irish Sophie come ashore in Northern Scotland. After another drunken night they are soon parted from all their accumulated cash. Out of money and out of luck ambitious Sophie pressures Marie into accepting a lucrative job as surrogate mother. Months on, Marie finds herself alone, life having taken a dramatic turn. Heavily pregnant, and wanting to terminate her pregnancy, she's on the run from the future parents, searching for Sophie's old flame, Ken. In a case of mistaken identity, Marie ends up in hiding with three strange men in a seedy Glasgow garage. But then happiness strikes again.

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Four people plan to rob a bank on new year's eve, when no one will notice because of the celebrations.

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Kresten, newly wed, is on the threshold of a great career success in his father-in-law’s company. But when the death of his own father takes him back to his poverty-stricken childhood home, far out in the country, his career plans fall apart. For one thing he has to deal with his loveable, backward brother, who is now all alone; for another, he meets a stunning woman who comes to the farm as a housekeeper, in disguise of her real profession as a call-girl.

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A group of school-mates form a resistance group in nazi-occupied Denmark.

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Emma (Line Kruse) is an eleven year-old only child from a wealthy Danish family. Emma's parents seem more interested in their own interests than in her. One evening when Emma overhears her mother talking about how tragic it must be to have your child kidnapped, Emma decides to stage her own kidnapping. She soon meets Malthe, a kind-hearted, child-like, naïve sewer cleaner who literally stumbles on to her. She convinces Malthe that she is a Russian princess whose family is being chased by Bolsheviks, so Malthe lets Emma stay with him in his very modest abode. After being "kidnapped" for a few days, Emma decides to return home. But, just as she is about to return, she overhears a couple of servants talking about how her parents don't seem to be very upset over her dilemma....

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Danish author Soya's acidly funny turn-of-the-century memoir novel turned into a robust black comedy. After his mother's death, tiny tot Søren goes to live with his wilful, rich and stingy Granny, who wants to improve his manners. She also wants to make him sole heir to her fortune, which everybody else covets. Mutual respect, even love, develops between the two. And death by poison enlivens things.

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John and René are in their twenties, close friends but different enough for René to be nicknamed Thunderbird, while John remains just plain John. John feels irresistibly drawn into Thunderbird's orbit, but René isn't all flash. He actually longs to share John's plainness and quiet calm.

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Ivan is a very lonely 8 year boy who is bullied almost every day in school. Even his father taunts him because Ivan litteraly is a weakling (That should explain the title Rubber Tarzan). As a result of this Ivan spends a lot of his time on daydreaming until he meets a kind of kindred spirit - the friendly and lonely crane driver Ole.

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