Richard Brody

Paul (Jim Helsinger) is a morose young advertising executive and aspiring film maker whose obsession with the Holocaust has gone way out of control. Paul has been compiling interviews with World War II survivors for a documentary film, and the project has propelled him to a state of paranoia. Listening to Beethoven, Paul worries that the composer wrote "Nazi music" and imagines that the plush sound on a Furtwangler recording owes to the violins' strings having been made out of "Jewish intestines." When his Yugoslav-born fiancee Dunia (Mirjana Jokovic) returns from China, where she has been studying, the two enter into an agonizing debate about whether to marry. She bluntly questions Paul's religious convictions, since he doesn't observe Orthodox Jewish traditions.

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Hard-hitting journalism. Era-defining fiction. Witty cartoons. The New Yorker marks its 100th anniversary with this look at its past, present and future. The New Yorker's centennial reveals behind-the-scenes access to editors, writers, and archives of this culturally vital magazine, one of print's last survivors.

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Claude Lanzmann discusses the long and difficult process of researching, shooting, editing, and presenting his groundbreaking and influential documentary, "Shoah" (1985).

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The image of a mysterious, solitary filmmaker - a cineaste maudit - who flees from both the media and the public, is unrelentingly bound to the figure of Leos Carax, in France. Elsewhere, the real focus is on his films and he is considered to be an icon of world cinema. Mr.X dives into the poetic and visionary world of an artist who was already a cult figure from his very first film. Punctuated by interviews and unseen footage, this documentary is most of all a fine-tuned exploration of the poetic and visionary world of Leos Carax, alias "Mr.X".

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Two LA cops, Julie and Jay, must return Marsalas to Africa to stand trial as the chief state witness against international villain Alex Gatelee. Gatelee, into everything from gold smuggling to female slave trade, hijacks the party. In a vicious shoot out Julie and Jay overcome Gatelee's men. Gatelee then has Julie kidnapped from one of his nightclubs. He tries to use Julie as bait to get Jay to hand over Marsalas in exchange for Julie...

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Paul (Jim Helsinger) is a morose young advertising executive and aspiring film maker whose obsession with the Holocaust has gone way out of control. Paul has been compiling interviews with World War II survivors for a documentary film, and the project has propelled him to a state of paranoia. Listening to Beethoven, Paul worries that the composer wrote "Nazi music" and imagines that the plush sound on a Furtwangler recording owes to the violins' strings having been made out of "Jewish intestines." When his Yugoslav-born fiancee Dunia (Mirjana Jokovic) returns from China, where she has been studying, the two enter into an agonizing debate about whether to marry. She bluntly questions Paul's religious convictions, since he doesn't observe Orthodox Jewish traditions.

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