Jerónimo Rodríguez

Two friends Julio and Gabriel are carrying out research together for a film, a film to tell the true story of an American priest who went to live in the south of Chile after dropping the atomic bomb on Hiroshima.

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A droll yet profound exploration of memory, history, forgetting, and, of course, Raúl Ruiz. After seeing a documentary about Portuguese neurologist Egas Moniz while low on sleep, Jorge, a Chilean filmmaker living in Greenpoint, Brooklyn, suddenly remembers visiting a statue of Moniz in a park somewhere in Santiago with his father—who also happens to be a neurosurgeon. Jorge goes on a lengthy exploration of the city of his birth and all the way to Patagonia looking for the statue, all the while pondering memories of his dad and the imaginary territories between his homeland and New York.

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Cachitos de hierro y cromo is a Spanish musical-themed documentary program, directed by Jero Rodríguez and hosted by Virginia Díaz. It is an unapologetic musical display of RTVE's sound legacy in the form of performances on the set of programs such as 'Aplauso', 'Galas del Sábado', 'Mapa Sonoro', 'Zona Franca' or 'Los Conciertos de Radio 3'. For nearly 60 years, artists and other specimens have stormed viewers' screens. The result is a polyphony of images and memories that includes everything from James Brown to Camela, from Perales to REM, from Gabinete to Violent Femmes. And so all the time. Our secret weapon has been the historical archive of TVE, the repository of Spanish collective memory for more than half a century.

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A droll yet profound exploration of memory, history, forgetting, and, of course, Raúl Ruiz. After seeing a documentary about Portuguese neurologist Egas Moniz while low on sleep, Jorge, a Chilean filmmaker living in Greenpoint, Brooklyn, suddenly remembers visiting a statue of Moniz in a park somewhere in Santiago with his father—who also happens to be a neurosurgeon. Jorge goes on a lengthy exploration of the city of his birth and all the way to Patagonia looking for the statue, all the while pondering memories of his dad and the imaginary territories between his homeland and New York.

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Two friends Julio and Gabriel are carrying out research together for a film, a film to tell the true story of an American priest who went to live in the south of Chile after dropping the atomic bomb on Hiroshima.

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After a night of partying, Vicente is involved in a hit-and-run that kills a man. Vicente claims his innocence, but he was drunk and high. A tangled web of lies buries the truth, making a social scandal disappear — exonerating the real culprit, the son of a powerful politician.

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A droll yet profound exploration of memory, history, forgetting, and, of course, Raúl Ruiz. After seeing a documentary about Portuguese neurologist Egas Moniz while low on sleep, Jorge, a Chilean filmmaker living in Greenpoint, Brooklyn, suddenly remembers visiting a statue of Moniz in a park somewhere in Santiago with his father—who also happens to be a neurosurgeon. Jorge goes on a lengthy exploration of the city of his birth and all the way to Patagonia looking for the statue, all the while pondering memories of his dad and the imaginary territories between his homeland and New York.

Open details →