Domenico Oliva

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Kristine Opolais is the young woman whose conflicting desires for love and luxury lead to her tragic end, and Roberto Alagna plays the man who falls for her in Puccini’s early hit. Richard Eyre’s elegant production, which sets the action in 1940s occupied France, was one of the highlights of the Met’s 2015–16 season. Massimo Cavalletti as Manon’s brother and Brindley Sherratt as her aging admirer co-star, and Principal Conductor Fabio Luisi is on the podium.

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The French tale of a beautiful young woman destroyed by her conflicting needs for love and luxury.

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One of today’s most compelling singing actresses, Karita Mattila takes on the irresistible role of Manon Lescaut, the headstrong young woman torn between a life of luxury and the call of her true love: the Chevalier des Grieux, played by Marcello Giordani. The young Puccini lavished some of his most sensual music on this early hit, conducted here by James Levine.

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Live from Glyndebourne 1997

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"Manon", wrote Puccini to his publisher Giulio Ricordi in 1889, "is a heroine I believe in and therefore she cannot fail to win the heart of the public." This turned out to be a truly prophetic statement since none of Puccini’s other world successes were received on their first nights as rapturously as Manon Lescaut. The popularity of Puccini’s great masterpiece has never waned and the highly acclaimed Götz Friedrich production at Covent Garden was hailed as an operatic milestone. Two of the world’s leading stars--Kiri Te Kanawa and Placido Domingo--head a strong cast conducted by the brilliant Italian conductor Giuseppe Sinopoli.

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All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.

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Destined for the convent, the young Manon falls head over heels in love with a handsome stranger and decides to flee with him. Yet aspiring to a life of wealth and luxury, she ends up throwing herself into the arms of a rich nobleman. Can she forget her true love? Puccini’s adaptation of the novel by Abbé Prévost had a complicated gestation. An alarmingly long list of librettists succeed each other in trying to satisfy the composer’s demands in terms of dramatic structure and fine verbal detail. Was Puccini struggling perhaps to make his opera sufficiently different from Massenet’s on the same subject? Puccini probably never reached a ‘definitive’ form of this opera but it was his first international success and arguably the first in which the composer found his voice as a musical dramatist. Opera Poznań has entrusted their new production - streamed live on the opening night - to a former winner of the European Opera Directing Prize, Gerard Jones, and conductor Marco Guidarini.

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