Titi Rajo Bintang

Dewi returns to her village in Yogyakarta after ten years of leaving. A letter and newspaper clipping sent by her mother, make her return to her village: Dee’s mysterious pregnancy, her mentally handicapped sister Dewi finds her parents' home situation has not changed. What has changed is the pregnancy of Dee and the always changing view behind the large window of the house. Dewi then knows Priyanto who is just a year living in the village. They make an unusual love story. Joko, Dewi’s old friend, is jealous. The arrival of Dewi reveals his unfinished past.

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Rene, coach Marching Band from Jakarta, decided to move to Bontang - East Kalimantan in order to train there. He thought, duties and burdens as a coach will be the same as usual. Apparently, Rene wrong. He was dealing with 130 members, 130 of doubt. Rene wanted to teach them to fly when they feel they have no wings.

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Anggiat Simbolon migrated from his village, Sorkam Tapantiur Tengah, to Jakarta. He is successful as a lawyer and his parents are proud of him, but he is not perfect because his mother expects Anggiat to marry his pariban (cousin).

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Rayya is a great artist, diverse talents. She's an actress, musician, singer, and even a model. The glamorous world that many people dream of is already in the grip. The arrogance that usually comes with success was embraced. But, the success of weakening Rayya was 'dumped', the momentum was the trigger that turned Rayya's confusion into a plan to stop his own life. about him with the hope that in the end there will be nothing left. Arya is a middle-aged photographer who also has her own problems. The man who found a way out of his problem thanks to Rayya. Both of them proceed together to find light above light

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Serdadu Kumbang are Indonesian drama movie which was released on June 16, 2011 to be directed by Ari Sihasale starring Yudi Miftahudin and Ririn Ekawati.

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Purnama, a street child who lives in a halfway house. He was affected by amnesia due to being hit by the car of Mr. Surya, a businessman who is a workaholic and still lives alone.

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Khalifah works in a beauty parlor. She marries Rasyid to obey her father and support the family. She becomes a devoted wife and wears the veil on Rasyid’s orders. She soon learns that Rasyid has a strict teaching of Islam, when he later tells Khalifah to wear a full body veil. Khalifah obeys his request, despite her father’s objection. But her neighbors start to perceive her as a terrorist’s wife. Meanwhile, Khalifah’s young neighbor, Yoga, has a secret crush on her. Yoga is the one who sews Khalifah’s veil. One day, Rasyid’s secret life is unraveled and he betrays Khalifah.

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Wati and Sri are Indonesian domestic helpers in Hong Kong. At the port, they play a simple game. Whoever wins, can take whatever inside their employer's groceries. But then.. Strangely, the game became an absurdity of their existence.

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A young woman struggles in foreign countries to improve her self esteem to her family and to the community.

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Adam, the mortuary officer in a hospital questions the idea of "identity" of a person, due to his own unknown past and his own lack of an identity. So he only feels alive when he is among dead people. Adam eventually falls in love with a woman without a name. Through her, he is able to find his true self and this leads him to fight for the woman’s right to live.

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Adjeng lives alone in an apartment paid for by her boyfriend, a rich businessman. A writer of children's stories, she wishes to write short stories for adults; in this, she is mentored by Asmoro with whom she is also having sex. Meanwhile, Adjeng's mothe handles various aspects of her life, constantly calling her and making surprise visits. This has led Adjeng's friends, Venny and Andien, to tease her about her overbearing mother.

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Adolescence is the most wonderful time but it turns out that adolescence have many issues, ranging from love, family, and the consequences for the actions.

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Kota, trapped in a confined space, watches her friend Alam dance freely in nature. Alam’s graceful movements reflect the harmony with the environment. In contrast, Kota’s dance is a desperate response to her restrictive surroundings, mirroring her mother’s struggles. As Alam extends a hand of friendship, Kota gradually breaks free from her confinement, learning to embrace the natural world and dance harmoniously with her friend.

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