Monika Bohinec

Méphistophélès, less an intellectual "principle of negation" than a devilishly attractive magician, draws his attention to Marguerite - and Faust is delighted. A deal is quickly struck: the devil serves Faust on earth, and after Faust's death it is to be the other way around. Marguerite is also not unimpressed by what Méphistophélès has to offer: material luxury and sensual pleasure, often musically illustrated by Gounod with a waltz. But the relationship between Faust and Marguerite remains an episode, as Faust is drawn to new attractions, while Marguerite remains pregnant, only to see her unfaithful lover kill her brother.

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Wiener Staatsoper Live at Home - 14 May 2015

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Once upon a time, a Prince was hunting at night, his name was Prince Arindal and he encounters a beautiful fairy called Ada. It was love at first sight and they fell in love immediately. Arindal decides that he should always be at Ada's side in the fairy realm. The Fairy king warns that if Arindal should ever leave Ada alone for longer than a year, then she will turn into stone. The Prince finds himself having to leave Ada- will he be back in time? This "Oper für Kinder" version has been shortened down to a compact 45 minutes from the original 3 hour opera.

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The Gypsy Baron (German: Der Zigeunerbaron) is an operetta in three acts by Johann Strauss II which premiered at the Theater an der Wien on 24 October 1885. Its libretto was by the author Ignaz Schnitzer (de) and in turn was based on Sáffi by Mór Jókai. During the composer's lifetime, the operetta enjoyed great success, second only to the popularity of Die Fledermaus. The scoring and the nature of Strauss's music have also led many music critics to consider this work a comic opera or a lyric opera.

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