Jason Levangie

This beautiful stop-motion animation love story was created by Sydney Smith and Jason Levangie. It was conceived as a music video for the song "Agricola & Sarah" performed and recorded by the Halifax, Nova Scotia band Gypsophilia (Sa-ba-da-OW!, 2009).

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40, 000 years ago the steppes of Eurasia were home to our closest human relative, the Neanderthals. Recent genetic and archaeological discoveries have proven that they were not the dim-witted cave dwellers we long thought they were. In fact, they were cultured, technologically savvy and more like us than we ever imagined! So why did they disappear? We accompany scientists on an exciting search for an answer to this question and come to a startling conclusion …

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The film centers on Gino, whose traditional Italian family Christmas Eve celebration descends into chaos when his deceased grandmother returns from the dead and embarks on a killing spree. As more dead relatives begin appearing throughout the neighborhood, Gino must find a way to eliminate the holiday revenants and make it through the family gathering alive.

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Haunted by the past, siblings Mise’l and Antle are destined to reunite and join forces against a dark spirit that emerges from their shared childhood. Once inseparable, their fractured relationship set by years of silence and a violent episode rooted in homophobia, is tested as they must return to Sk+te’kmujue’kati (the Place of Ghosts) a forest steeped in ancestral memory where time bends. What initiates from trauma soon transforms into an odyssey of healing, as Mise’l and Antle confront their caretaker’s cruelty, the weight of family secrets, and their own deepest fears.

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A dedicated family man becomes obsessed with saving the lives of the car accident victims on the sharp corner in front of his house – an obsession that could cost him everything.

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Azra is worlds apart from her conservative Muslim mother. When her father suddenly dies on a trip home to Pakistan, Azra finds herself on a Bollywood-inspired journey through memories, both real and imagined; from her mother’s youth in Karachi to her own coming- of-age in rural Canada.

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