Ma Siu-Ying

Two Stories “Water” kicked off with the Cantonese tune of Raindrops Beating on the Banana Leaves, a symbolic hint on the tragic outcome of the drama – a demonstration of Joyce's astute use of music. When a kind, gullible mother-in-law and her rude, strong-willed daughter-in-law separately encounter the same con-artist, the result is high drama.

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A House Is Not a Home is a TVB television series, premiered on 1 August 1977. It is a very successful classic series boasting the likes of stars Liza Wang, Simon Yam, Ha Yu and also veteran actors like Bak Man-biu, Tang Pik-wan and Lee Heung-kam. The show became a 1970s drama classic, well-known also for its theme song, "A House Is Not a Home"; 家變, which was composed and arranged by Joseph Koo, with lyrics by the late Wong Jim and sung by Roman Tam.

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Ah Niu, swindled of his fortune by cunning crooks, hits rock bottom. A fateful encounter with devious thugs reunites him with Uncle Chou, prompting their escape to the vibrant city of Singapore. Their journey is riddled with absurd mishaps, including a comical episode with a baby and a frantic pursuit by the relentless thugs. This final instalment of the series offers a colourful, wide-ranging tour of Singapore in the mid-1970s, brimming with slapstick humour and heartwarming moments.

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This play begins with Lin Chong being forced to go to Liangshan, and describes the encounters between Lin Chong and Lu Zhishen, then writes about Chao Gai leading Ruan's Sanxiong, Liu Tang and others to rob the birthdays, and then...

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Accompanied by his old manservant, scholar Sung Li Ho (Hong Hoi) is on his way to the capital for the imperial exam. They spend a night in the house of Mrs. Yuan and Li Ho takes a fancy to her pretty daughter, Pei Fang (Dana). Li Ho is discovered by a maid peeping at Pei Fang as she takes a bath. He slips and falls into the bathtub, creating a most embarrassing situation. His old servant is also implicated and both are beaten up before being thrown out. Continuing their journey in the desolate countryside, they come across woodcutter Hsi Hsueh Kuei who puts them up for the night. Captivated by the beauty of the owner’s two daughters, who are vampires, he spends a night with them and turns into a skeleton. Chased by the vampires, Shun Lai makes a narrow escape.

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One of the first single-episode special dramas shot on film, this episode of Superstar Special stars Barbara Wong Chuen-yu as a lonely housewife who is introduced to the idea of a "temporary boyfriend. "Breaking the constraints of traditional television storytelling, Patrick Tam and Joyce Chan give a surprisingly in-depth exploration into the modern female psyche, exposing their fears and their desires.

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Ghost Eyes concerns a female hair stylist who is seduced by the vampiric ghost of a former optometrist. Using supernatural contact lenses to control her mind, he gradually drains her life essence as she is forced to find new victims until tries to make a stand and rid herself of this terror once and for all.

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Michael Hui stars as Wen, a convict who's always out to make a quick dollar through gambling. Being behind bars doesn't stop him from making something off of his gambling skills. Samuel Hui co-stars as Chieh,a novice gambler who gets into trouble one day when he tries to steal casino chips from a crooked card dealer Dean Shek). Whilst in jail, Chieh meets Wen and the latter agrees to become his mentor. Can Wen and Chieh make a fortune from their combined skills or will the duo wind up back in prison?

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A Time For Love features Shaw Brothers' darling Lily Ho in a Romeo and Juliet stylized love story that breaks the tradition of Hong Kong's "class distinction" love stories. It is a film ending with a Cinderella-esque love saving happiness happy ever other ending.

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Mysterious songstress Fang Biyu is loved by two brothers, Qiwei and Qijun. After freeing herself from the clutches of gangsters, she gives her heart to Qiwei. Tragedy comes knocking on the door when one of the gangsters comes out of prison, and Qiwei dies in a car accident. Blamed for her husband's death, Biyu is forced to go back to singing to make a living, but hopes to reunite with her son and return to the family one day.

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Bai Yu Lung's father mysteriously disappears one night, and for 10 years Bai searches for him in vain. Finally, he decides to head to the far northern part of the country with the hope that he can find a clue in that region. There, he falls in love with a beggar (Cheng Pei-pei) and they continue the search together.

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The sex appeal factor shoots skyhigh here with Ting playing Susan, a young woman hiding from her father by being a nightclub singer in Japan. Pop singer Chao Ke-jen (the handsome Lin Chong) gets permission from his boss to visit Japan – but only on condition he finds the boss’s daughter. Boy finds girl, boy falls in love. But will Daddy approve?

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A gripping drama about a seductive woman with three men in her life: a rich husband ; a sexy playboy, and a sensitive intellectual. That two of her lovers are brothers further complicates the story.

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Lee Jwo Horng is fresh out of jail after doing time for 15 years. By then his fiancée Betty has already become the mistress of triad boss One-Eye Jack. Lee doesn't want his younger brother Chih Shen to look down upon him, so he decides to keep his release a secret from Chih Shen, and finds accommodation with his friend Ah Han instead. Jack forces Lee to team up with him again for more criminal jobs, but, determined to clean up his act and stay out of trouble, Lee doesn't yield to his pressure. Jack then turns his attention to Chih Shen and lures him to the dark side instead...

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A 1967 Cantonese language action film directed by Cheung Wai-Gwong, starring Connie Chan, Adam Cheng and Liu Chia-Liang. Ming-Wai & Ming-Sing, a brother and sister (dual roles played by Connie Chan) who must go undercover in a gang to rescue their uncle.

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HK mystery drama film.

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Director Wong Yiu, recognising the spending power of a new demographic, was looking to create a teenage sensation for the factory girls. It soon became a social phenomenon in the 1960s. Former child star Connie Chan Po-chu fitted the bill perfectly with her doe-eyed innocence framed by silky long hair. In Girls are Flowers, she plays a young tutor falling in love with a handsome boy. However, their road to romance is paved with potholes and speed bumps. Chan's fellow former child star Nancy Sit plays the boy's younger sister who saves the day with her shrewd, nimble-minded plans. Sit's role may be small but with radiance from her glorious smile and beaming personality, she brightens up this musical romantic comedy like a fairy-tale nymph.

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A Fatal Adventure

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The Eighteen Darts (Part 2) is a Chinese Opera Musical starring Jackie Chan, Sammo Hung and Yuen Biao in child roles.

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The Eighteen Darts (Part 1) is a Chinese Opera Musical starring Jackie Chan, Sammo Hung and Yuen Biao in child roles.

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In 1966, Connie Chan Po-chu and Josephine Siao Fong-fong starred in multiple contemporary films, cementing their onscreen persona as virtuous young women while becoming the hottest youth idols of their time. Colourful Youth remains the only contemporary film to feature both of them. Filmed in Eastmancolor, the song-and-dance spectacle keeps its fingers on the pulse of its era and presents the vigour of the modern times.

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Ho Pui-lan was the secretary of the writer Wu Him, but she died suddenly at home. Ho's mother commissioned private detective Chan Kin-chau to investigate and found out that Pui-lan and Him were having an extra-marital affair, and also discovered that the contents of Him's fiction were similar to the contents of Pui-lan's suicide note. When Kin-chau finds out that the contents of Him's fiction are similar to the contents of Pui-lan's suicide note, he and Pei Lan's sister Yuk-lan reenact the murder case, and Him is stimulated and hallucinated to reveal the truth of the murder...

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Family Doctrine is a drama film directed by Chu Kei and stars Wu Fung, Man Lan, Pearl Au Ka-Wai, Ma Siu-Ying, and Kitty Ting Hao.

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Family Doctrine is a drama film directed by Chu Kei and stars Wu Fung, Man Lan, Pearl Au Ka-Wai, Ma Siu-Ying, and Kitty Ting Hao.

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Yu Sung Chi was separated from his wife and young daughter during the war. When he fled with his eldest daughter Yu pak Mei, he adopted the orphan Ho Chi Kwong. He cultivates light and becomes talented, and even wants to marry roses to Kwong. When Kwong was preparing to open a branch factory, he fell in love with his secretary Yu Bik Lin, and later decided to marry Lin. Mei wanted Lin to leave Kwong, Lin wanted Kwong's future, left a letter and left, but Kwong published a newspaper to search for her, but to no avail. On the day of Kwong and Mei's engagement, they received news from Lin. Kwong resolutely gave up everything to be with Lin. Yu visited Lin and asked her to leave Kwong, but when he saw a photo of Lin's mother, he realized that Lin was his lost daughter. Mei learns that Lin is her biological sister and decides to let Kwong go. A few years later, Kwong and Lin realized that Mei had a happy family.

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Bus Money dons various disguises on public buses to protect the defenceless from the bullies and receives heroic praise. Money meets Tai Ngau, a righteous journalist, when they bear witness to the callous response of Manager Mo to the death of his servant Ah-kwai. Tai writes to redress grievances of the deceased. When visiting the family of orphans, he chances on his kindred spirit giving the eldest daughter Ah-yin a gift of gold. Money exploits the weakness of Mo and her connection with his son Sze-fu to swindle a fortune out of the lewd man for the benefits of the fatherless children. Her rage grows learning that Mo's friend Fong Hak-sang has pulled off a lucrative fraud on returned overseas Chinese and forces Ah-yin to pledge herself in paying off her father's debts. Money, who has all kinds of tricks up her sleeve, teams up with Tai and gives Mo and Fong their comeuppance before setting off on her next mission.

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Lawyer Fan Kam-man believes that his wife Chun Yuen-yung perished in a plane crash three years ago and walks down the aisle again with Yan Bik-kei. In fact, Chun survived a crash-landing on a deserted island with fellow passenger Wong Ah-lik, a biologist. Returning to civilisation, Chun sabotages their wedding night at the hotel. Overjoyed with her safe return, Fan pulls off a feat with his mother and wife to terrify Yan into divorcing him. However the lie is exposed when Wong shows up. Unyielding, the women settle to serve as wives to the same man. Mistaking Fan for the person Chun is going to see, the eavesdropping Yan goes to the date in her stead and unwittingly sleeps with Wong. Yan finally settles for Wong, putting an end to the topsy-turvy.

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Standard Husband

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Chi-keung and Bak Lan separated due to disputes, and Chi-keung took the younger daughter Siu-bo back to Macau while Lan brought the elder daughter Dai-bo to Hong Kong. While they both have partners, Lai-kuen and Jimmy, they still have ambivalent feelings towards each other. Siu-bo and Dai-bo bumped into each other during an occasion in Macau and decided to swap places to see their mum/dad whom they had rarely seen since birth. They were moved and persuaded their grandparents to reconcile with their parents. Despite warts and all, Chi-keung and Lan reunited and they all became a happy family again.

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The Husband of a Lady

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When the village is reportedly terrorized by a ghost of the mad woman, the superstitious great-grandfather refuses modern approach and insists to rely of witchcraft to solve the problems of the village, ensuing tragedy after tragedy.

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In this 1960s family comedy though, marriage is attached with a string of feudal obligations. Shun (Cheung Ying-choi) and Sum (Nam Hung) are happily married with a son. Shun's childless uncle from the US proposes to take away their son as his own and, when the couple refuse, demands that Shun marry a second wife to bear him an offspring. The couple in distress team up with their naughty friends in playing a game of bluff, which sets off a series of whimsical and side-splitting sequences. Director Chor Yuen tied the knot with actress Nam Hung three years after the film's release, leading to one of the most celebrated marriages in Hong Kong cinema.

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