Andrew Chau

What haunts us is not only death, but aging. Pei-Hua is drawn like a blurred sketch—gray, undefined, embodying the quiet experience of a woman growing older.Mothers often remain fixed in place, becoming a point of reference for their daughters’ journeys. Each of us carries a “carry-on”—unfinished burdens or lessons meant to be faced in this life. When we finally leave, do these carry-ons remain? In the film, a fire becomes a ritual of release, a way of saying goodbye. Life is rarely pure joy or sorrow, and The Carry-On is no exception.

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In the Hive, love blooms amidst a brutal struggle for survival. Ian and Lily face Monsters and perils to escape, with their fate intertwined with a sacrifice that challenges the depths of their love and haunts their journey forever.

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A legendary café owner and his apprentice embark on a journey of coffee, love, and life's quiet lessons.

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During World War II, Shinkai Shion, a guard of prisoner-of-war in Borneo, was involved in a massacre. As the suspect, he realized the nature of war as he revealed the truth.

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As a team, Honduras, WEN Chen-ling, SHIH Ming-shuai, and KAO Ying-hsuan arrive to stay in the longevity village of Shitan in Miaoli for one month. Their primary mission is to restore Hakka culture. Each of the four members has their own talents. In the Hakka village, can they successfully complete the missions given by the villagers, or will they end up being the village idiots and making fools of themselves? In the Hakka language, “Kiang” can mean “excellent” or “zany.” Will the team be excellent or zany? Can they successfully bring vitality to the longevity village?

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Welcome to Ward 816, a place filled with incredible children who are true warriors. Each of them carries a badge symbolising their strength in fighting various diseases. In this bustling ward, there's a special group, including Yuan, Shi-yan, Heng, Nuala, Jia-nong, and Da-shan. Despite their parents' occasional arguments, they always come together to support one another when it matters most.

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Gwei Lun-mei-starring drama series “Women in Taipei,” as a spin-off from the “Women in Tokyo” series.

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Adapted from the historical facts of Taiwan. On March 12, 1867, the American merchant ship – Rover was shipwrecked at the southern end of Taiwan’s Hengchun Peninsula. While “The Rover Incident” broke out, Tiap-moe was 18 years old. She was proficient in multiple languages, so she helped American Consul Charles Le Gendre with his investigation. During the investigation, she were forced to involve in a complex ethnic struggle. Facing the questioning and bullying associated with her ethnic groups, gender and bloodline, was Tiap-moe brave enough to help the Westerners, the Seqalus, the Hokkiens and Hakkas, even herself, to reach a state of peace and understanding?

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A young woman comes home to Taiwan, to say goodbye to her father before he goes to prison.

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A gay man and a lesbian arrange to have a "fake" marriage to appease their families. Hijinks ensue. The lesbian falls in love with her "husband's" twin sister and things begin to get even more complicated.

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A mysterious chef and his late-night diner, open from midnight to dawn, featuring ordinary stories from his patrons every night as they chatter and eat the one requested dish.

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When her grandmother is injured, carefree slacker Fang-Ru reluctantly takes over the family hot spring inn—only to discover it is buried in debt. Teaming up with the inn’s sharp-tongued receptionist and a charming American work-exchange traveler, Fang-Ru launches a desperate rescue plan, relying on creativity rather than cash to save the struggling business.

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