Yukiko Izumi

14th installment in Broadway's "Honto ni Atta Kowai Hanashi" series.

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After the death of his wife, Yukio has become more and more paranoid, believing that he is being followed and watched at all times. Yukio's late wife, before her death, was seeing and sleeping with another man. Not only did Yukio know about the affair, he would watch them have sex. Unbeknownst to his wife, his peeping on her became like a fetish. As the film progresses, Yukio goes to see a counselor to try and figure out his phobia and discover his deep repressed thoughts about his wife. In comes Akemi, Yukio's ex-girlfriend from almost a decade prior. Akemi is unhappy with her marriage and seeks the warm embrace of Yukio, which only furthers his descent into madness.

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Yuki finishes her part-time job early and visits her boyfriend Kazuhiko's apartment. However, she witnesses Kazuhiko and Midori having sex there. Shocked, Yuki runs out of the room and heads to the subway station. From then on, two different lives unfold for Yuk

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A middle-aged man walks up to young man who is sitting under a tree and shoots him. The film then flashes back to 1981, where a young woman steals a car with a baby strapped inside. She decides to raise the child as her own, and teaches him to shoplift from stores while she works as a prostitute. She strikes up a relationship with a convenience-store clerk, and the two eventually settle down together.

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Fumiko, a married bookkeeper at a hair salon, is having an affair with one of the stylists, Sawai. Suspecting that her co-worker Mayumi is also involved with him, Fumiko murders her in a fit of jealousy, dismembers the body, and disposes of the remains around the city. When Mayumi’s husband, taxi driver Yukio, comes looking for his missing wife, Fumiko approaches him and claims that Mayumi had wanted to visit a hot-spring resort in the snowy mountains. The two set out together in search of her, each carrying motives and resentments of their own, as their strange journey gradually develops into an uneasy and increasingly dangerous intimacy.

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Toranaga is a good-for-nothing loser. However, he also happens to be the last remaining direct descendant of Shogun Tokugawa Ieyasu. When a mysterious ninja threatens Toranaga’s life, the great ninja Hattori Hanzo is hired to protect him. However, it seems that there are a bunch of female ninjas aching to have sex with Toranaga and take his sperm! Now Hanzo must fight for Toranaga’s most precious possession against the leader of the ninjas, Neneko, who bears a centuries-old grudge.

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A black clad woman murders a man that she had just met by chance through a phone sex club.

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A man becomes obsessed with delusions due to his obsession with a woman he lost, and loses sight of reality. A girl he meets in a rundown entertainment district gently accepts the man's delusions. The only time the two, who seek each other as if to erase the boundary between self and other, feel reality is when they indulge in a dangerous game involving a time bomb... The audiovisual effects, calculated down to the smallest detail, such as the rain and humidity, the deliberate use of red in the color scheme, and the pop song the woman hums, contribute to the continuation of the conceptual story.

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A young man living in a provincial city falls in love with a stripper. Due to his innate shame, he is unable to express his feelings, and his pent-up emotions end up manifesting in the despicable form of betrayal of his friend.

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Saeki Shingo and Yuri are siblings who lost their parents at an early age and live together. However, Shingo gets engaged to his girlfriend Keiko, and the three of them start living together. Although this new life should be full of happiness, Keiko has some worries. She is having an affair with her boss, Tsuchiya. Moreover, Keiko, who had been turned into a masochist by Tsuchiya, worries that she may no longer be able to have normal sex. Meanwhile, Yuri is completely addicted to lesbian play with her girlfriend Miyuki...

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Sango finds satisfaction on the train. One day, Sango's father, Ichiroku, lies in his sick bed and asks Sango to do something outrageous...

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Kumiko, who goes to a culture center with her husband's permission, has fallen prey to the instructor, Oikawa. Akiko, who also attends the same class, is single but also has a physical relationship with Oikawa. When Akiko finds out that Oikawa is also having an affair with Kumiko, she quits the class and starts a relationship with Kumiko's husband...

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A woman is assaulted on a train, later becoming a model for an artist.

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Junko, who has precognition, predicted her senior's death and disappeared from her fiancé's life. Five years later, Junko, who works in a peep-shop, reunites with Kazuki and rekindles their love, but tragedy soon ensues. Hotaru Hatsuki, one of the most popular actresses of the 1990s, gives a strong performance in this poignant tale of a woman's attempt to escape her fate.

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Unsatisfied with her husband, a wife decides to ride the train. She is soon awakened to its pleasures, leaving with one of the men. Eventually, she must turn to another...

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No Good Men follows Kumiko, a young and attractive woman that works at a travel agency, and moonlights as an insatiable, sex-hungry mistress.

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A fugitive man and woman (Kawase, Kawana) come to an island to retrieve their son (Iwasaki), who the woman has given to a foster family, but the son's foster parents are policemen (Ito)... The suspense surrounding the retrieval of the son is made unusual by the location shooting on the vast and desolate Miyakejima Island and leads to an allegorical drama about the essential desires of human beings. This was Kawase Yota's first appearance in a Zeze film, and he has since become a regular actor. The title of the film at the time of its first release was Sukebe Tenkomori.

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