Arthur Rigby

Crossroads to Crime is about the investigations of a police constable (Anthony Oliver) who, working undercover without support from his colleagues, confronts and brings down a gang of vehicle hi-jackers.

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Newspaper reporters compete with London police to solve a murder.

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Scotland Yard detectives attempt to solve a spate of safe robberies across England beginning with clues found at the latest burglary in London. The film is notable for using a police procedural style made popular by Ealing in their 1950 film The Blue Lamp. It is known in the US as The Third Key.

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This movie debut for saucy British TV comic Benny Hill has Benny leaving his job as a sweeper after winning some money. He becomes a private detective and investigates a plot to assassinate British scientists.

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Dixon of Dock Green was a BBC television series following the activities of police officers at a fictional Metropolitan Police station in the East End of London from 1955 to 1976. Some episodes were later remade as a BBC radio series in 2005 and 2006.

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Inspired by the real events of the attempted heist at Heathrow Airport in 1952, a criminal tricks an old friend into giving away the location of a shipment of gold bullion so he and his gang can steal it.

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Canadian ex-serviceman Bob Regan returns to Oldchester, the English town where he was posted during the war. Meeting up with his friend Mike, now manager of the local football club, he discovers that Oldchester are desperate for promotion as they stand to inherit £25,000 from recently deceased supporter Wallace Hammond if they make the Third Division a situation that Hammond's devious nephew finds intolerable...

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'Rocks' Owen, the well-off owner of a car-hire business, is found murdered; the last place he was seen alive was the Blue Parrot nightclub. Scotland Yard go in to investigate, with the help of a visiting American detective and a nightclub hostess who may not be all she appears to be.

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P.C. George Dixon is a long-serving traditional copper who is due to retire shortly. He takes a new recruit under his aegis and introduces him to the easy-going night beat. Dixon is a classic ordinary hero but also anachronistic, unprepared and unable to answer the violence of the 1950s.

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Eddie Marston and his future father-in-law, Lord Milchester, struggle valiantly and comedically to balance their attempts to save Eddie's failing newspaper with their rampant hedonism.

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The film hinges on the love triangle between a young aristocratic lady on the run (Cleonie, played by Hazel Terry), the murderous Varennes, Citizen-Deputy of the Revolution who saves her by disguising her as his nephew (Nils Asther) and finally the Marquis of Corbal of the film's title, played by Hugh Sinclair.

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An impoverished team of composer and songwriter try to secure financial backing for their new musical, with the assistance of a struggling actress working as a housemaid.

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Posing as an aristocrat to crash a party, a composer stumbles upon a gang of jewel thieves working unnoticed upstairs.

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A rich American businessman in London makes believe he's lost all his money so that his daughter will marry a composer.

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With a title like Jack's the Boy, is it any surprise that the star of this breezy quota quickie is British music-hall favorite Jack Hulbert? The star plays the son of a celebrated Scotland Yard detective, who joins the force in hopes of following his father's footsteps. Unfortunately, Jack is something of a screw-up, and before long he has become the laughing stock of the force.

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'Escaped convict blackmails murderous doctor into helping him.' (British Film Catalogue)

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Love Lies is a 1932 British musical comedy film directed by Lupino Lane and starring Stanley Lupino, Dorothy Boyd and Jack Hobbs. It was made by British International Pictures at Elstree Studios. It was based on Stanley Lupino's own hit 1929 stage musical.

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