Hans Christian Ægidius

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In the future, Denmark has been made a nuclear waste dump and the Danish language is banned.

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Based upon the novel "Hærværk" by Tom Kristensen about the self destructive person. The literary reviewer Ole Jastrau chooses to free himself from his well-ordered middle class life. He allow the seriously left-wing writer Steffensen move in with himself which soon causes disintegration of his home an marriage.

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A motley crew must spend the night at a small, remote railway station. Strange occurrences and old stories about a ghost train that is supposed to pass through the station do not exactly contribute to a cozy atmosphere. However, the haunting turns out to be a ruse covering up smuggling activities, and one of the travelers turns out to be a detective on the trail of the smugglers. Based on the 1923 play The Ghost Train by Arnold Ridley.

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Crime film about a Copenhagen social worker who, out of boredom, seeks away from his environment and into the criminal underworld, which he soon becomes part of - with fatal consequences.

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Svante has disappeared and a journalist seeks Benny to hear about his relationship with Svante. In retrospect be seen Benny and Svante with Svante lived with Mrs. Jensen in Copenhagen. When Benny and Svante last meeting would Benny sure to Svante show was released. Benny seek police to report Svante missed and have given a description of Svante. For several years, we follow Benny hunt for Svante including through interviews with Nina. Police seek out the places where Svante traded and the nerve clinic he was hospitalized.

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The family Gyldenkål is actually called Iversen, but have changed their name, after numerous problems with the IRS, loan sharks and employers. Using clever scams, the family builds up a reputation as a wealthy and respectable part of society.

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Petty crook “Viffer” Hansen pulls off a daring $10 million swindle selling Copenhagen’s Rundetårn to an oil sheikh, then substitutes the loot with expertly forged bills thanks to his counterfeit friend Valde. Hounded by both the mob’s Don Luigi, who promised Viffer the hand of his shrill-voiced daughter Elvira as reward, and the betrayed sheikh’s thuggish enforcer Olfert, Viffer adopts a new disguise, suffers amnesia in a madhouse, and narrowly escapes to face the final showdown when Luigi and Elvira arrive in Denmark to collect on his broken promise.

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Bolsche manufacturer Basse wants his daughter to marry the boring Bumbach. In an attempt to spruce up Bumbach's image a little, Basse invents an affair that Bumbach is supposed to have had with the actress Ria Ray. His daughter immediately becomes more interested in her suitor, and the plan seems to be working, until the real Ria Ray shows up, to everyone's surprise.

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In this Danish suspense film, the foibles of the psychological helping professions are wryly surveyed. A woman has murdered her husband. That's clear enough. Now the woman is in a psychiatric hospital because it seemed clear to the judges that she was not fully competent. Her doctor, who is helping her a great deal, has problems of his own. First, he is against the cookie-cutter treatment practices of his hospital, second, he is on shaky mental ground himself. Then he violates his therapeutic ethics by carrying on an affair with the woman he is treating.

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This is a film about the stuff dreams are made of, yet, there is nothing elevated in this concept, on the contrary. The characters around the bar Strudsen (the ostrich) are doing what ostriches do, hiding themselves from the threats of life and keeping their dreams to themselves. Scriptwriter Benny Andersen being a poet is rendering a loving portrait of a number of persons, who fail to try to make their dreams come true, possibly not being sufficiently dissatisfied with their life after all. The manager would like a bar of his own but dare not admit to it, the butcher would like to be an opera singer, the window cleaner (sorry, window polisher) is secretly in love with the bar lady, but dare not show it and the pianist willingly listens to all the different dreams being presented to him. This film was the best accomplished movie from Henning Carlsen since his debut with 'Sult'.

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A love story about a young woman's relationship with two men, the lawyer she was previously married to and a romantic Swedish actor. At the same time, it is a discussion of gender roles: Are a man's work and future more important than a woman's?

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